{"id":648,"date":"2022-07-17T12:55:55","date_gmt":"2022-07-17T10:55:55","guid":{"rendered":"https:\/\/r-nhep.com\/?page_id=648"},"modified":"2026-02-22T18:16:48","modified_gmt":"2026-02-22T17:16:48","slug":"members","status":"publish","type":"page","link":"https:\/\/r-nhep.com\/index.php\/about2\/members\/","title":{"rendered":"Members"},"content":{"rendered":"\t\t
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Coordinamento scientifico<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"SABINE\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSABINE SCHWARZE<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:<\/b>\u00a0<\/span>sabine.schwarze@philhist.uni-augsburg.de<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Sabine Schwarze ha studiato Filologia e Didattica della lingua francese e russa all\u2019Universit\u00e0 Martin-Luther di Halle-Wittenberg e all\u2019Universit\u00e0 di Vorone\u017e (Russia). Ha conseguito il Dottorato di ricerca e l\u2019abilitazione in Filologia romanza all\u2019Universit\u00e0 di Halle, dopo aver effettuato dei soggiorni di ricerca in Francia e in Italia. Dal 2004 \u00e8 titolare della Cattedra di romanistica (francese e italiano) all\u2019Universit\u00e0 di Augsburg. Le sue ricerche si concentrano sulle teorie della lingua e della traduzione nel XVIII e XIX secolo, sulla storia dell\u2019insegnamento delle lingue romanze, sulla storia dei media, sulle forme e sui generi comunicativi nella Rom\u00e0nia, sulla storia del francese e dell\u2019italiano, sull\u2019immaginario e sulle ideologie linguistiche.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Sabine Schwarze a \u00e9tudi\u00e9 la philologie et la didactique fran\u00e7aise et russe (examen d\u2018\u00c9tat) \u00e0 la Martin-Luther-Universit\u00e4t Halle-Wittenberg et \u00e0 l\u2019Universit\u00e9 d\u2019\u00c9tat de Voronej (Russie). Elle a obtenu un doctorat et une habilitation en philologie romane de l\u2019Universit\u00e9 de Halle, apr\u00e8s avoir effectu\u00e9 des s\u00e9jours de recherche en France et en Italie. Depuis 2004, elle est titulaire de la Chaire de linguistique des langues romanes (fran\u00e7ais\/italien) de l\u2019Universit\u00e9 d\u2019Augsbourg. Ses th\u00e8mes de recherche et de publication portent sur les th\u00e9ories du langage et de la traduction au XVIIIe et XIXe si\u00e8cle, sur l\u2019histoire de l\u2019enseignement des langues romanes, l\u2019histoire des m\u00e9dias, des formes et des genres de communication dans la Romania, l\u2019histoire du fran\u00e7ais et de l\u2019italien, l\u2019imaginaire et les id\u00e9ologies linguistiques.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Sabine Schwarze studied Philology and Didactics of French and Russian at the Martin-Luther-Universit\u00e4t of Halle-Wittenberg and the University of Vorone\u017e (Russia). She obtained her PhD and habilitation in Romance Philology at the University of Halle, after research stays in France and Italy. Since 2004, she has held the Chair of Romance languages (French and Italian) at the University of Augsburg. Her researches focus on theories of language and translation in the 18th and 19th centuries, the history of Romance Language teaching, the history of the media, communicative forms and genres in Rom\u00e0nia, the history of French and Italian, the imaginary and linguistic ideologies.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"FABIO\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFABIO FORNER<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>fabio.forner@univr.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Fabio Forner \u00e8 professore associato del Dipartimento di Culture e Civilt\u00e0 all\u2019Universit\u00e0 degli Studi di Verona. Dopo la laurea in Lettere presso l\u2019Universit\u00e0 Cattolica di Milano, consegue nel 2003 il Dottorato di ricerca in Italianistica. Nell\u2019ambito della letteratura italiana si occupa di storia della letteratura con particolare attenzione alla letteratura dei secoli XIV, XV, XVI e XVIII. Tema centrale e che attraversa la sua ricerca \u00e8 lo studio dell\u2019epistola come genere letterario e come mezzo di comunicazione.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Fabio Forner est professeur associ\u00e9 au d\u00e9partement des cultures et civilisations de l’universit\u00e9 de V\u00e9rone. Apr\u00e8s avoir obtenu une licence en litt\u00e9rature \u00e0 l’Universit\u00e9 catholique de Milan, il a obtenu un doctorat en \u00e9tudes italiennes en 2003. Dans le domaine de la litt\u00e9rature italienne, il s’int\u00e9resse \u00e0\u00a0 l’histoire de la litt\u00e9rature avec un accent particulier mis sur la litt\u00e9rature des XIVe, XVe, XVIe et XVIIIe si\u00e8cles. Le th\u00e8me central de ses recherches est l’\u00e9tude de l’\u00e9p\u00eetre en tant que genre litt\u00e9raire et moyen de communication.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Fabio Forner is associate professor in the Department of Cultures and Civilisations at the University of Verona. After graduating in Literature from the Universit\u00e0 Cattolica in Milan, he obtained a PhD in Italianistics in 2003. In the field of Italian literature, he deals with the history of literature with particular focus on the literature of the 14th, 15th, 16th and 18th centuries. The central theme running through his research is the study of the epistle as a literary genre and as a means of communication.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Segreteria scientifica<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"RAPHAEL-MERIDA\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tRAPHAEL MERIDA<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Responsabile della Segreteria scientifica
<\/strong>E-mail:\u00a0<\/b>raphael.merida@unime.it<\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Raphael Merida \u00e8 ricercatore di tipo B in Linguistica italiana (L-FIL-LET\/12) presso l\u2019Universit\u00e0 degli Studi di Messina. Presso lo stesso Ateneo, ha conseguito il titolo di Dottore di ricerca in \u201cStoria e Filologia\u201d (XXIX ciclo) con una tesi in Storia della lingua italiana. \u00c8 stato Wissenschaftlicher Mitarbeiter<\/i> in Linguistica italiana presso la cattedra di Romanistica dell\u2019Universit\u00e0 di Augsburg. Collabora alla piattaforma di consulenza linguistica on-line DICO (Dubbi sull\u2019Italiano Consulenza Online) dell\u2019Universit\u00e0 degli Studi di Messina, con il Lessico Etimologico Italiano (LEI) dell\u2019Universit\u00e0 del Saarland e con il progetto di retrodatazioni lessicali ArchiDATA dell\u2019Accademia della Crusca. Gli ambiti dominanti delle sue indagini sono rappresentati dalla lessicografia, dall\u2019ideologia linguistica nei giornali settecenteschi, dal rapporto tra norma e uso nel Novecento e dall\u2019indagine linguistica di testi letterari e non letterari. \u00c8 socio dell\u2019ASLI.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Raphael Merida est chercheur en linguistique italienne (L-FIL-LET\/12) \u00e0 l’Universit\u00e9 de Messine. Dans la m\u00eame universit\u00e9, il a obtenu un doctorat en “Histoire et philologie” (XXIXe cycle) avec une th\u00e8se sur l’histoire de la langue italienne. Il a \u00e9t\u00e9 Wissenschaftlicher Mitarbeiter<\/i> en linguistique italienne \u00e0 la chaire de romanistique de l’universit\u00e9 d’Augsbourg. Il collabore avec la plateforme de consultation linguistique en ligne DICO (Dubbi sull’Italiano Consulenza Online<\/i>) de l’Universit\u00e9 de Messine et avec le Lexique \u00e9tymologique italien (LEI) de l’Universit\u00e9 de la Sarre. Il a \u00e9galement collabor\u00e9 au projet d’antidatage lexical ArchiDATA de l’Accademia della Crusca. Les domaines dominants de ses recherches sont la lexicographie, l’id\u00e9ologie linguistique dans les journaux du XVIIIe si\u00e8cle, la relation entre norme et usage au XXe si\u00e8cle et l’\u00e9tude linguistique des textes litt\u00e9raires et non litt\u00e9raires. Il est membre de l’ASLI.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Raphael Merida is a research fellow in Italian Linguistics (L-FIL-LET\/12) at the University of Messina. At the same university, he obtained a PhD in \u201cHistory and Philology\u201d (XXIX cycle) with a thesis on the History of the Italian language. He was Wissenschaftlicher Mitarbeiter <\/i>in Italian Linguistics at the Chair of Romanistics at the University of Augsburg. He collaborates with the online linguistic consulting platform DICO (Dubbi sull’Italiano Consulenza Online<\/i>) of the University of Messina and with the Lessico Etimologico Italiano<\/i> (LEI) of the University of Saarland. He also collaborated in the lexical backdating project ArchiDATA of the Accademia della Crusca<\/i>. The dominant areas of his investigations are lexicography, linguistic ideology in 18th-century newspapers, the relationship between norm and usage in the 20th century and the linguistic investigation of literary and non-literary texts. He is a member of the ASLI.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"FALVIA\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFLAVIA PALMA<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Segretaria verbalizzante
<\/strong>E-mail: <\/b>flavia.palma@unive.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Flavia Palma \u00e8 Ricercatrice a tempo determinato (lett. B) di Letteratura italiana presso l\u2019Universit\u00e0 Ca\u2019 Foscari di Venezia. Ha conseguito il Dottorato di ricerca in \u201cStudi filologici, letterari e linguistici\u201d e la congiunta certificazione di\u00a0Doctor Europaeus<\/em>\u00a0presso l\u2019Universit\u00e0 di Verona, svolgendo in seguito incarichi come assegnista e professore a contratto presso il medesimo Ateneo e l\u2019Universit\u00e0 Ca\u2019 Foscari di Venezia. \u00c8 stata inoltre Ricercatrice a tempo determinato (lett. A) di Letteratura italiana all\u2019Universit\u00e0 di Ferrara.<\/p>

Una parte delle sue ricerche \u00e8 dedicata alla Letteratura italiana del Medioevo e del Rinascimento e, pi\u00f9 precisamente, a Giovanni Boccaccio, al genere novellistico e ai processi di traduzione e adattamento della novella italiana in Europa, con particolare attenzione all\u2019Inghilterra elisabettiana e giacomiana. In ambito settecentesco, si interessa della produzione romanzesca del veneziano Antonio Piazza e di giornalismo erudito.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Flavia Palma est chercheuse en Litt\u00e9rature italienne (RtdB) \u00e0 l\u2019Universit\u00e9 Ca\u2019 Foscari de Venise. Elle a obtenu son doctorat en \u201c\u00c9tudes philologiques, litt\u00e9raires et linguistiques\u201d et le certificat conjoint de\u00a0Doctor Europaeus<\/em>\u00a0\u00e0 l\u2019Universit\u00e9 de V\u00e9rone, occupant ensuite des postes de post-doc et de professeur contractuel \u00e0 la m\u00eame Universit\u00e9 et \u00e0 Ca\u2019 Foscari. Elle a \u00e9t\u00e9 aussi chercheuse en Litt\u00e9rature italienne (RtdA) \u00e0 l\u2019Universit\u00e9 de Ferrara.\u00a0<\/p>

Ses recherches portent sur la litt\u00e9rature italienne du Moyen \u00c2ge et de la Renaissance et, plus particuli\u00e8rement, sur Giovanni Boccaccio, le genre de la\u00a0novella<\/em>\u00a0et les processus de traduction et d\u2019adaptation de la\u00a0novella<\/em>\u00a0italienne en Europe, avec une attention particuli\u00e8re pour l\u2019Angleterre \u00e9lisab\u00e9thaine et jacob\u00e9enne. Elle traite \u00e9galement des romans de l\u2019\u00e9crivain v\u00e9nitien Antonio Piazza et du journalisme du XVIIIe si\u00e8cle.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Flavia Palma is a Lecturer (RtdB) in Italian Literature at Ca\u2019 Foscari University of Venice.\u00a0She obtained her Doctorate in \u201cPhilology, Literature and Linguistics\u201d and the combined certificate of\u00a0Doctor Europaeus <\/em>from the University of Verona. She later held positions as Postdoctoral Researcher\u00a0and Adjunct Professor at the University of Verona and Ca\u2019 Foscari. She was also a Lecturer (RtdA) in Italian Literature at the University of Ferrara.<\/p>

Part of her research is devoted to Medieval and Renaissance Italian Literature and focuses on Giovanni Boccaccio, the Italian novella and its reception in Europe, with special attention to Elizabethan and Jacobean England. She is also interested in Antonio Piazza\u2019s novels and eighteenth-century journalism.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"LUIGIA-BUFFATTI\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tLUIGIA BUFFATTI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Segretaria verbalizzante
<\/strong>E-mail:\u00a0<\/span><\/b>luigiabuffatti@gmail.com<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Luigia Buffatti (Verona, 1995) \u00e8 dottoranda in “Filologia, Letteratura e Scienze dello spettacolo”\u00a0presso l\u2019Universit\u00e0 degli Studi di Verona (tutor: prof. Gherardo Ugolini) con un\u00a0progetto sulla traduzione dei classici nella Verona del XVIII secolo. Partecipa a un programma di co-tutela di tesi sotto la direzione congiunta\u00a0della\u00a0Prof. Dr. Sabine Schwarze per l\u2019Universit\u00e4t Augsburg e\u00a0del prof. Ugolini per l\u2019Universit\u00e0 di Verona.\u00a0Ha\u00a0conseguito la laurea magistrale a doppio titolo italo-tedesco con una tesi a cavallo tra la storia della tradizione classica e la storia della lingua italiana presso\u00a0l\u2019Universit\u00e0\u00a0di Verona e l\u2019Universit\u00e4t Augsburg (relatrice: Prof. Dr. Sabine Schwarze; correlatore: prof. Gherardo Ugolini). Nel 2020 ha pubblicato un articolo per \u201cQuaderni di storia\u201d dal titolo\u00a0Scipione Maffei traduttore dell’<\/i>Iliade.
<\/i><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Luigia Buffatti (V\u00e9rone, 1995) est doctorante en “Philologie, Litt\u00e9rature et Arts du spectacle” \u00e0 l’Universit\u00e9 de V\u00e9rone (tuteur : Prof. Gherardo Ugolini) avec un projet sur la traduction des classiques dans la V\u00e9rone du XVIII\u00e8me si\u00e8cle. Elle participe \u00e0 un programme de co-tutelle de th\u00e8se sous la direction conjointe de la Prof. Dr. Sabine Schwarze pour l’Universit\u00e4t Augsburg et du Prof. Ugolini pour l’Universit\u00e9 de V\u00e9rone. Elle a obtenu son double dipl\u00f4me italo-allemand avec une th\u00e8se sur l’histoire de la tradition classique et l’histoire de la langue italienne \u00e0 l’Universit\u00e9 de V\u00e9rone et \u00e0 l’Universit\u00e9 d’Augsbourg (rapporteur : Prof. Dr. Sabine Schwarze ; co-rapporteur : Prof. Gherardo Ugolini). En 2020, elle a publi\u00e9 un article pour “Quaderni di storia” intitul\u00e9 Scipione Maffei traduttore dell’<\/em>Iliade.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Luigia Buffatti (Verona, 1995) is a PhD student in \u201cPhilology, Literature and Performing Arts\u201d at the University of Verona (tutor: Prof. Gherardo Ugolini) with a research project on the translation of the classics in 18th century Verona. She participates in a thesis co-tutoring programme under the joint direction of Prof. Sabine Schwarze at the University of Augsburg and Prof. Ugolini at the University of Verona. She obtained her Italian-German double degree with a thesis on the history of the classical tradition and the history of the Italian language at the University of Verona and the University of Augsburg (supervisor: Prof. Dr. Sabine Schwarze; co-supervisor: Prof. Gherardo Ugolini). In 2020, she published an article for \u201cQuaderni di storia\u201d with the title Scipione Maffei traduttore dell’<\/i>Iliade.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"GIULIA\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGIULIA MANTOVANI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Curatrice del sito e della comunicazione
<\/strong>E-mail: <\/span>giulia.mantovani@tu-dresden.de<\/span><\/a><\/b><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giulia Mantovani \u00e8 wissenschaftliche Mitarbeiterin<\/em> presso la Cattedra di Romanistica dell’Universit\u00e0 Tecnica di Dresda, dove lavora a un progetto di ricerca sui testi italiani generati dall’intelligenza artificiale. Fra il 2019 e il 2023 ha collaborato alla Cattedra di Romanistica e alla Cattedra di Linguistica Applicata dell’Universit\u00e0 di Augsburg. Si \u00e8 addottorata nel 2025 nel programma di Dottorato internazionale “Forme dello Scambio Culturale” presso le Universit\u00e0 di Augsburg e Trento. La sua tesi dal titolo “Il discorso sulla lingua nel giornalismo spettatoriale del XVIII secolo. Topoi metalinguistici come tradizione discorsiva paneuropea” \u00e8 risultata vincintrice del primo premio per tesi di Dottorato dell’Universit\u00e0 per Stranieri di Siena sul tema “Sul confine: multiculturalismo e plurilinguismo nella ricerca”. I suoi interessi di ricerca si collocano nell’ambito dell’intelligenza artificiale, delle tradizioni discorsive e del giornalismo di tipo spettatoriale, con un approccio contrastivo tra italiano, inglese e tedesco.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giulia Mantovani est wissenschaftliche Mitarbeiterin<\/em> \u00e0 la chaire de linguistique romane de l’Universit\u00e9 technique de Dresde, o\u00f9 elle travaille sur un projet de recherche consacr\u00e9 aux textes italiens g\u00e9n\u00e9r\u00e9s par l’intelligence artificielle. Entre 2019 et 2023, elle a collabor\u00e9 avec la chaire de linguistique romane et la chaire de linguistique appliqu\u00e9e de l’universit\u00e9 d’Augsbourg. Elle a obtenu son doctorat en 2025 dans le cadre du programme de doctorat international “Forme dello Scambio Culturale” des Universit\u00e9s d’Augsbourg et de Trente. Sa th\u00e8se intitul\u00e9e “Il discorso sulla lingua nel giornalismo spettatoriale del XVIII secolo. Topoi metalinguistici come tradizione discorsiva paneuropea” a remport\u00e9 le premier prix de th\u00e8se de doctorat de l’Universit\u00e9 pour \u00e9trangers de Sienne sur le th\u00e8me “Sul confine: multiculturalismo e plurilinguismo nella ricerca”. Ses int\u00e9r\u00eats de recherche se situent dans le domaine de l’intelligence artificielle, des traditions discursives et du journalisme du type spectatorial, avec une approche contrastive entre l’italien, l’anglais et l’allemand.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giulia Mantovani is wissenschaftliche Mitarbeiterin<\/em> at the Chair of Romance Studies of the Dresden University of Technology, where she works on Italian texts generated by artificial intelligence. Between 2019 and 2023, she worket at the Chair of Romance Studies and the Chair of Applied Linguistics at the University of Augsburg. She obtained her PhD in 2025 in the international doctoral programme “Forme dello Scambio Culturale” at the Universities of Augsburg and Trento. Her thesis, entitled “Il discorso sulla lingua nel giornalismo spettatoriale del XVIII secolo. Topoi metalinguistici come tradizione discorsiva paneuropea” won the first prize for doctoral theses of the University for Foreigners of Siena on the topic “Sul confine: multiculturalismo e plurilinguismo nella ricerca”. Her research interests lie in the field of artificial intelligence, discourse traditions and Spectator<\/em>-type journalism, with a contrastive approach between Italian, English and German.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"EMILIO\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Curatore del sito e della comunicazione
<\/strong>E-mail: emilio.boaretto@univr.it<\/a><\/span><\/b><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Emilio Boaretto \u00e8 assegnista di ricerca in Letteratura italiana (ITAL-01\/A). Sempre nell’ambito dell’Italianistica, ha conseguito il titolo di dottorato internazionale in forma congiunta presso le Universit\u00e0 di Trento e di Augsburg. I suoi principali interessi di ricerca riguardano la storiografia e la critica letteraria di primo Settecento, in particolare alla ricezione, nel secolo dei lumi, a Boccaccio, Machiavelli e Tasso. Con paricolare riguardo all’ambito della storiografia letteraria e alla storia della filologia ha dedicato i suoi studi all’erudizione bresciana e fiorentina del secolo dei Lumi, studiando i carteggi di Giammaria Mazzuchelli, Angelo Maria Querini e Lorenzo Mehus. Nel campo della pubblicistica di antico regime si \u00e8 occupato principalmente dei giornali di Angelo Caloger\u00e0, di Lorenzo Mehus e delle “Novelle oltramontane” (Roma, Pagliarini, 1742-1759). Per la Letteratura italiana tra Otto e Novecento si \u00e8 occupato in particolare di Giuseppe Antonio Belcredi, Guido Gozzano, Giovanni Comisso.\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Emilio Boaretto est charg\u00e9 de recherche en litt\u00e9rature italienne (ITAL-01\/A). Dans le domaine de l\u2019italianistique, il a \u00e9galement obtenu un doctorat international en cotutelle aupr\u00e8s des universit\u00e9s de Trente et d\u2019Augsbourg.
Ses principaux int\u00e9r\u00eats de recherche portent sur l\u2019historiographie et la critique litt\u00e9raire du premier XVIII\u1d49 si\u00e8cle, en particulier sur la r\u00e9ception, au si\u00e8cle des Lumi\u00e8res, de Boccace, Machiavel et Tasse.
Avec une attention particuli\u00e8re port\u00e9e \u00e0 l\u2019historiographie litt\u00e9raire et \u00e0 l\u2019histoire de la philologie, il a consacr\u00e9 ses travaux \u00e0 l\u2019\u00e9rudition bresciane et florentine du si\u00e8cle des Lumi\u00e8res, en \u00e9tudiant les correspondances de Giammaria Mazzuchelli, Angelo Maria Querini et Lorenzo Mehus.
Dans le domaine de la publicistique d\u2019Ancien R\u00e9gime, il s\u2019est principalement int\u00e9ress\u00e9 aux journaux d\u2019Angelo Caloger\u00e0, de Lorenzo Mehus et aux Novelle oltramontane<\/em> (Rome, Pagliarini, 1742-1759).
Pour la litt\u00e9rature italienne entre le XIX\u1d49 et le XX\u1d49 si\u00e8cle, il a travaill\u00e9 en particulier sur Giuseppe Antonio Belcredi, Guido Gozzano et Giovanni Comisso.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Emilio Boaretto is a research fellow in Italian Literature (ITAL-01\/A). Within the field of Italian Studies, he obtained a joint international PhD from the Universities of Trento and Augsburg. His main research interests concern early eighteenth-century historiography and literary criticism, with particular attention to the reception, during the Enlightenment, of Boccaccio, Machiavelli, and Tasso. With specific regard to literary historiography and the history of philology, he has devoted his studies to Brescian and Florentine erudition of the Enlightenment, examining the correspondence of Giammaria Mazzuchelli, Angelo Maria Querini, and Lorenzo Mehus. In the field of early modern periodical literature, he has mainly focused on the journals of Angelo Caloger\u00e0, Lorenzo Mehus, and the Novelle oltramontane<\/em> (Rome, Pagliarini, 1742\u20131759). As for Italian literature between the nineteenth and twentieth centuries, he has worked in particular on Giuseppe Antonio Belcredi, Guido Gozzano, and Giovanni Comisso.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I componenti del gruppo di ricerca<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Anselmo\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tANNA ANSELMO<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>anna.anselmo@unife.it<\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Anna Anselmo \u00e8 Ricercatrice di Lingua e Traduzione Inglese presso l\u2019Universit\u00e0 di Ferrara. Ha conseguito il titolo di Dottoressa di Ricerca presso l\u2019Universit\u00e0 Cattolica del Sacro Cuore nel 2011. Dal 2011 al 2019 ha insegnato Lingua Inglese presso diversi atenei in Italia (Milano, Brescia, Aosta). Dal 2020 al 2022 \u00e8 stata Ricercatrice di Lingua e Traduzione Inglese presso l\u2019Universit\u00e0 degli Studi di Enna \u201cKore\u201d. Il suo lavoro di ricerca si concentra sulle terminologie specialistiche, la critical discourse analysis e i periodici del Romanticismo Inglese. Ha scritto sulla terminologia della moda tra settecento e ottocento (2014), sul Peterloo Massacre (2021, 2022) e sulle teorie della cospirazione legate alle rappresentazioni del COVID-19 (2022). La sua monografia <\/span>The Poetics of Uncontrollability in Keats\u2019s <\/span><\/i>Endymion: <\/span>Language Theory and Romantic Periodicals <\/span><\/i>(2016) presenta i legami tra la filosofia del linguaggio del settecento inglese e la scrittura Romantica da una prospettiva grammaticale e morfologica. L\u2019uscita della nuova monografia, <\/span>Somnambulism in the Long Eighteenth Century (1719-1815): Medical Terminology and Specialised Lexicography<\/span><\/i>, \u00e8 prevista per il 2024<\/span>.<\/span><\/i><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Anna Anselmo est chercheuse en langue anglaise et en traduction \u00e0 l’universit\u00e9 de Ferrare. Elle a obtenu son doctorat \u00e0 l’Universit\u00e0 Cattolica del Sacro Cuore en 2011. De 2011 \u00e0 2019, elle a enseign\u00e9 l’anglais dans plusieurs universit\u00e9s italiennes (Milan, Brescia, Aoste). De 2020 \u00e0 2022, elle a \u00e9t\u00e9 charg\u00e9e de recherche en langue anglaise et traduction \u00e0 l’universit\u00e9 d’Enna ‘Kore’. Ses travaux de recherche portent sur les terminologies sp\u00e9cialis\u00e9es, l’analyse critique du discours et les p\u00e9riodiques du romantisme anglais. Elle a \u00e9crit sur la terminologie de la mode entre le dix-huiti\u00e8me et le dix-neuvi\u00e8me si\u00e8cle (2014), le massacre de Peterloo (2021, 2022) et les th\u00e9ories du complot li\u00e9es aux repr\u00e9sentations du COVID-19 (2022). Sa monographie The Poetics of Uncontrollability in Keats’s<\/em> Endymion : Language Theory and Romantic Periodicals<\/em> (2016) pr\u00e9sente les liens entre la philosophie de la langue anglaise du XVIIIe si\u00e8cle et l’\u00e9criture romantique dans une perspective grammaticale et morphologique. La publication de la nouvelle monographie, Somnambulism in the Long Eighteenth Century<\/em> (1719-1815) : Medical Terminology and Specialised Lexicography<\/em>, est pr\u00e9vue pour 2024.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Anna Anselmo is Research Fellow in English Language and Linguistics at the University of Ferrara. She received her PhD in English from the Catholic University of Milan in 2011. From 2011 to 2019, she taught\u00a0English\u00a0at several universities (Milan, Brescia, Aoste). From 2020 to 2022 she was Research Fellow in English Language and Linguistics at the Kore University of Enna. Her research interests include terminology theory, critical discourse analysis (social actor theory), and British Romantic periodicals. She has published on\u00a0fashion terminology in the Romantic period (2014), on the representation of social actors\u00a0and social action\u00a0involved in the Peterloo Massacre (2021, 2022), on conspiracy theory and COVID-19 in the UK (2022). Her book,\u00a0<\/span>The Poetics of Uncontrollability in Keats\u2019s\u00a0<\/span><\/i>Endymion<\/span>: Language Theory and Romantic Periodicals<\/span><\/i>\u00a0(2016) offers an overview of eighteenth-century language philosophy and its repercussions on Romantic writing from a grammatical-morphological perspective. She is currently working on a new book titled <\/span>Somnambulism in the Long Eighteenth Century (1719-1815): Medical Terminology and Specialised Lexicography.<\/span><\/i><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"IMG_5095\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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E-mail:\u00a0<\/b>lucia.berti@unimi.it<\/span><\/a>\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Lucia Berti \u00e8 professore a contratto di lingua e linguistica inglese presso l\u2019Universit\u00e0 degli Studi di Milano. La sua ricerca si concentra principalmente sui secoli XVII-XIX e tratta i rapporti culturali anglo-italiani, la Repubblica delle Lettere, la storia e lo sviluppo dei periodici scientifici, la storia degli insegnamenti linguistici (inglese, italiano), lessicografia e lessicologia e analisi del discorso.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Lucia Berti est professeur adjoint de langue anglaise et de linguistique \u00e0 l’universit\u00e9 de Milan. Ses recherches portent principalement sur les XVIIe-XIXe si\u00e8cles et portent sur les relations culturelles anglo-italiennes, la R\u00e9publique des Lettres, l’histoire et le d\u00e9veloppement des p\u00e9riodiques scientifiques, l’histoire de l’enseignement des langues (anglais, italien), la lexicographie et la lexicologie, et l’analyse du discours.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Lucia Berti is a contract professor of English language and linguistics at the University of Milan. Her research focuses mainly on the 17th-19th centuries and covers Anglo-Italian cultural relations, the Republic of Letters, the history and development of scientific periodicals, the history of language teaching (English, Italian), lexicography and lexicology, and discourse analysis.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Bianco\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFRANCESCA BIANCO<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t


<\/strong>E-mail: francesca.bianco@unipd.it<\/a>\u00a0<\/span><\/b><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Francesca Bianco si \u00e8 addottorata in Letteratura italiana moderna presso l\u2019Universit\u00e0 degli Studi di Padova, dove ha portato a termine due assegni di ricerca biennali. Attualmente collabora con il Dipartimento secondo diverse modalit\u00e0. I suoi interessi spaziano fra il Sette e l\u2019Ottocento, con particolare attenzione ai meccanismi della traduzione (italiano, francese, inglese), al mutamento delle categorie estetiche e al teatro. Ha approfondito inoltre diversi aspetti della cultura del Risorgimento, soprattutto in relazione all\u2019ambiente frequentato da Nievo nelle redazioni dei numerosi periodici cui ha preso parte.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Francesca Bianco est dipl\u00f4m\u00e9e en litt\u00e9rature italienne moderne \u00e0 l’universit\u00e9 de Padoue, o\u00f9 elle a obtenu deux bourses de recherche de deux ans. Elle collabore actuellement avec le d\u00e9partement de diverses mani\u00e8res. Elle s’int\u00e9resse aux XVIIIe et XIXe si\u00e8cles, et plus particuli\u00e8rement aux m\u00e9canismes de traduction (italien, fran\u00e7ais, anglais), \u00e0 l’\u00e9volution des cat\u00e9gories esth\u00e9tiques et au th\u00e9\u00e2tre. Elle a \u00e9galement \u00e9tudi\u00e9 divers aspects de la culture du Risorgimento<\/em>, notamment en relation avec le milieu fr\u00e9quent\u00e9 par Nievo dans les r\u00e9dactions des nombreux p\u00e9riodiques auxquels il a particip\u00e9.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Francesca Bianco obtained a doctorate in Modern Italian Literature at the University of Padua, where she completed two two-year research grants. He currently collaborates with the Department in various ways. His interests range from the eighteenth to the nineteenth century, with particular attention to the mechanisms of translation (Italian, French, English), to the change of aesthetic categories and to the theatre. He also deepened various aspects of the culture of the Risorgimento, above all in relation to the environment frequented by Nievo in the editorial offices of the numerous periodicals in which he took part.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"GIULIA\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGIULIA CANTARUTTI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t


<\/strong>E-mail: giulia.cantarutti@unibo.it<\/a><\/span><\/b><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giulia Cantarutti \u00e8 germanista e ha iniziato le sue collaborazioni internazionali con la collana dei \u201cBerliner Beitr\u00e4ge zur Neueren deutschen Kulturgeschichte\u201d (Peter Lang) nel 1984, pubblicando il suo volume sulla\u00a0Aphoristikforschung<\/i>, seguito da\u00a0Neuere Studien zur Aphoristik und Essayistik<\/i>\u00a0(assieme a Hans Schumacher, 1986). La collaborazione con il\u00a0doyen<\/i>\u00a0degli studi italiani sulla\u00a0Maxime<\/i>, Corrado Rosso, \u00e8 culminata nella fondazione nel 2001 della collana \u201cScorciatoie\u201d (Il Mulino). Agli studi sulla scrittura aforistica, le forme dialogiche, le lettere e il nesso fra rivista e forme brevi nel Settecento e nel Novecento si affiancano studi sulla moralistica della Rom\u00e0nia, l\u2019antropologia, e, a partire dal 1990 (Germania-Romania<\/i>, assieme a Hans Schumacher), sul\u00a0Kulturtransfer<\/i>\u00a0italo-tedesco da A.M. Querini alla ricezione italiana di Gessner, Mengs, Winckelmann, con particolare riguardo alle traduzioni e alle riviste, anche scientifiche, in tedesco, francese e italiano.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giulia Cantarutti est germaniste et a commenc\u00e9 ses collaborations internationales avec la collection des “Berliner Beitr\u00e4ge zur Neueren deutschen Kulturgeschichte” (Peter Lang) en 1984, publiant son volume sur l’Aphoristikforschung<\/i>, suivi de Neuere Studien zur Aphoristik und Essayistik<\/i> (avec Hans Schumacher, 1986). Sa collaboration avec le doyen des \u00e9tudes de Maxime<\/i> en Italie, Corrado Rosso, a abouti \u00e0 la cr\u00e9ation de la collection “Scorciatoie” (Il Mulino) en 2001. Outre des \u00e9tudes sur l’\u00e9criture aphoristique, les formes dialogiques, les lettres et le lien entre le journal et les formes br\u00e8ves aux XVIIIe et XXe si\u00e8cles, elle a \u00e9galement men\u00e9 des \u00e9tudes sur le moralisme de la Rom\u00e0nia, l’anthropologie et, depuis 1990 (Allemagne-Roumanie, avec Hans Schumacher), sur le Kulturstranfer <\/i>italo-allemand de A.M. Querini \u00e0 la r\u00e9ception italienne de Gessner, Mengs, Winckelmann, avec un regard particulier sur les traductions et les revues, y compris scientifiques, en allemand, fran\u00e7ais et italien.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giulia Cantarutti is a Germanist and began her international collaborations with the series of “Berliner Beitr\u00e4ge zur Neueren deutschen Kulturgeschichte” (Peter Lang) in 1984, publishing her volume on Aphoristikforschung<\/i>, followed by Neuere Studien zur Aphoristik und Essayistik <\/i>(together with Hans Schumacher, 1986). Her collaboration with the doyen <\/i>of the Italian studies on Maxime<\/i>, Corrado Rosso, culminated in the founding of the series \u201cScorciatoie\u201d (Il Mulino) in 2001. In addition to studies on aphoristic writing, dialogical forms, letters and the link between the journal and short forms in the 18th and 20th centuries, she has also conducted studies on the moralistics of Rom\u00e0nia, anthropology, and, since 1990 (Germany-Romania<\/i>, together with Hans Schumacher), on the Italo-German Kulturtransfer <\/i>from A.M. Querini to the Italian reception of Gessner, Mengs, Winckelmann, with particular regard to translations and reviews, including scientific ones, in German, French and Italian.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Cappelletti\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCRISTINA CAPPELLETTI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>cristina.cappelletti@unibg.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Cristina Cappelletti \u00e8 attualmente ricercatore (RTT) di Letteratura italiana all\u2019Universit\u00e0 di Bergamo. Dopo la laurea in Lettere classiche presso l\u2019Universit\u00e0 Cattolica di Brescia, ha conseguito il titolo di dottore di ricerca in Letterature e Scienze della letteratura all\u2019Universit\u00e0 degli Studi di Verona (2007, XIX ciclo) e in Scienze della Persona e della Formazione, indirizzo Storia e letteratura dell\u2019et\u00e0 moderna e contemporanea all\u2019Universit\u00e0 Cattolica di Milano. (2017, XXIX ciclo). I suoi principali interessi di ricerca riguardano la letteratura teatrale e romanzesca e l\u2019epistolografia dei secoli XVIII e XIX. Ha studiato inoltre la presenza di autori settecenteschi, in particolare Voltaire, nelle opere e nel pensiero di Alessandro Manzoni. Ha studiato alcune querelle<\/i><\/em> settecentesche (Maffei-Voltaire, Chiari-fratelli Gozzi) attraverso giornali letterari e gazzette.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Cristina Cappelletti est actuellement chercheuse (RTT) en litt\u00e9rature italienne \u00e0 l\u2019Universit\u00e9 de Bergame. Apr\u00e8s avoir obtenu une licence en Lettres Classiques \u00e0 l\u2019Universit\u00e9 Cattolica del Sacro Cuore de Brescia, elle a obtenu le doctorat en Litt\u00e9rature et Sciences de la Litt\u00e9rature \u00e0 l\u2019Universit\u00e9 de V\u00e9rone (2007, cycle XIX) et, par la suite, un doctorat en Sciences de la Personne et de la Formation, sp\u00e9cialisation Histoire et Litt\u00e9rature de l\u2019\u00e9poque moderne et contemporaine, \u00e0 l\u2019Universit\u00e9 Cattolica de Milan (2017, cycle XXIX). Ses principaux domaines de recherche englobent la litt\u00e9rature th\u00e9\u00e2trale et romanesque ainsi que l\u2019\u00e9pistolographie des XVIIIe et XIXe si\u00e8cles. Elle a \u00e9galement \u00e9tudi\u00e9 la pr\u00e9sence d\u2019auteurs du XVIIIe si\u00e8cle, en particulier Voltaire, dans les \u0153uvres et la pens\u00e9e d\u2019Alessandro Manzoni. Elle a aussi explor\u00e9 plusieurs querelles du XVIIIe si\u00e8cle (Maffei-Voltaire, Chiari-fr\u00e8res Gozzi) \u00e0 travers des journaux litt\u00e9raires et des gazettes.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Cristina Cappelletti is currently a Researcher (RTT) in Italian Literature at the University of Bergamo. After earning a BA in Classical Languages and Literature from the Universit\u00e0 Cattolica del Sacro Cuore in Brescia, she obtained the title of PhD in Literature and Literary Studies from the University of Verona (2007, XIX cycle) and, subsequently, a PhD in Scienze della Persona e della Formazione, specializing in History and Literature of the Modern and Contemporary Age, from Universit\u00e0 Cattolica del Milan (2017, XXIX cycle). Her main research interests include theatrical and novel literature and epistolary studies of the eighteenth and nineteenth centuries. She has also studied the presence of eighteenth-century authors, particularly Voltaire, in the works and thought of Alessandro Manzoni. Additionally, she has explored several eighteenth-century controversies (Maffei-Voltaire, Chiari-Gozzi brothers) through literary journals and gazettes.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGIACOMO CARMAGNINI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:<\/b>giacomo.carmagnini@unibo.it<\/a>\u00a0<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giacomo Carmagnini \u00e8 assegnista di ricerca presso l’Alma Mater Studiorum – Universit\u00e0 di Bologna. Ha conseguito la\u00a0qualification aux fonctions de ma\u00eetre de conf\u00e9rences\u00a0<\/em>(section\u00a0<\/em>22:\u00a0Histoire et civilisations<\/em>) ed \u00e8 cultore della materia (Storia moderna) presso l’Universit\u00e0 degli Studi di Firenze. \u00c8 stato assegnista di ricerca presso l’Universit\u00e0 degli Studi di Firenze (2024-2025). Ha conseguito il titolo di dottore di ricerca in Studi Storici nel 2024 presso le universit\u00e0 di Firenze e Siena, in cotutela con l’Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne.\u00a0Membre associ\u00e9\u00a0<\/em>dell’Institut d’Histoire moderne et contemporaine (IHMC), \u00e8 inoltre membro del Comitato di consulenza scientifica di \u00abPassato e presente\u00bb e dell’Editorial Secretarial Staff di \u00abDiciottesimo Secolo\u00bb. I suoi interessi di ricerca si focalizzano\u00a0sull’Et\u00e0 delle Rivoluzioni e riguardano, in particolare, la storia delle istituzioni e della cultura politica tra la fine del Settecento e i primi decenni dell’Ottocento.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giacomo Carmagnini est chercheur postdoctoral \u00e0 l\u2019Alma Mater Studiorum – Universit\u00e9 de Bologne. Titulaire de la qualification aux fonctions de ma\u00eetre de conf\u00e9rences (section 22: Histoire et civilisations) et\u00a0cultore della materia<\/em>\u00a0(Histoire moderne) \u00e0 l\u2019Universit\u00e9 de Florence, il a soutenu son doctorat en Histoire en 2024, en cotutelle entre les universit\u00e9s de Florence et de Sienne et l\u2019Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne. Membre associ\u00e9 de l\u2019Institut d\u2019Histoire moderne et contemporaine (IHMC), il si\u00e8ge au Comit\u00e9 consultatif scientifique de\u202fPassato e presente<\/em>, ainsi qu\u2019\u00e0 l\u2019Editorial Secretarial Staff de\u202fDiciottesimo Secolo<\/em>. Ses recherches se concentrent sur l\u2019\u00c2ge des R\u00e9volutions, et portent plus sp\u00e9cifiquement sur l\u2019histoire des institutions et de la culture politique entre la fin du XVIIIe si\u00e8cle et les premi\u00e8res d\u00e9cennies du XIXe si\u00e8cle.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Alessia Castagnino, PhD in \u201cModern History\u201d from Ca’ Foscari University of Venice (2014), is currently a research fellow at the University of Florence. She has conducted post-doctoral research at the Luigi Einaudi<\/em> Foundation in Turin, the University of the Republic of San Marino, the 1563 Foundation for Art and Culture of the Compagnia di San Paolo and, from 2017 to 2019, she was a Marie Sk\u0142odowska-Curie Fellow at the European University Institute of Florence. Her main research interests focus on the intellectual and cultural history of eighteenth-century Europe, with a specific focus on the history of publishing and reading and the cultural, social and historical study of translations.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"ALESSIA\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tALESSIA CASTAGNINO<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>alessia.castagnino@unifi.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Alessia Castagnino, dottore di ricerca in \u201cStoria Moderna\u201d dell\u2019Universit\u00e0 Ca\u2019 Foscari di Venezia (2014), \u00e8 attualmente assegnista di ricerca presso l\u2019Universit\u00e0 di Firenze. Ha condotto ricerche post dottorato presso la Fondazione\u00a0Luigi Einaudi\u00a0<\/i>di Torino, l\u2019Universit\u00e0 della Repubblica di San Marino, la Fondazione 1563 per l\u2019Arte e la Cultura della Compagnia di San Paolo e, dal 2017 al 2019, \u00e8 stata Marie Sk\u0142odowska-Curie Fellow presso lo European University Institute di Firenze. I suoi principali interessi di ricerca si concentrano sulla storia intellettuale e culturale dell\u2019Europa del XVIII secolo, con un\u2019attenzione specifica per la storia dell\u2019editoria e della lettura e per lo studio storico culturale e sociale delle traduzioni.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Alessia Castagnino, docteure en “Histoire Moderne” de l’universit\u00e9 Ca’ Foscari de Venise (2014), est actuellement charg\u00e9e de recherche \u00e0 l’universit\u00e9 de Florence. Elle a men\u00e9 des recherches post-doctorales \u00e0 la Fondation Luigi Einaudi<\/i> de Turin, \u00e0 l’Universit\u00e9 de la R\u00e9publique de Saint-Marin, \u00e0 la Fondation 1563 pour l’art et la culture de la Compagnia di San Paolo<\/i> et, de 2017 \u00e0 2019, elle a \u00e9t\u00e9 boursi\u00e8re Marie Sk\u0142odowska-Curie \u00e0 l’Institut universitaire europ\u00e9en de Florence. Ses principaux int\u00e9r\u00eats de recherche portent sur l’histoire intellectuelle et culturelle de l’Europe du XVIIIe si\u00e8cle, avec un accent particulier sur l’histoire de l’\u00e9dition et de la lecture et l’\u00e9tude historique culturelle et sociale des traductions.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Alessia Castagnino, PhD in \u201cModern History\u201d from Ca’ Foscari University of Venice (2014), is currently a research fellow at the University of Florence. She has conducted post-doctoral research at the Luigi Einaudi<\/em> Foundation in Turin, the University of the Republic of San Marino, the 1563 Foundation for Art and Culture of the Compagnia di San Paolo and, from 2017 to 2019, she was a Marie Sk\u0142odowska-Curie Fellow at the European University Institute of Florence. Her main research interests focus on the intellectual and cultural history of eighteenth-century Europe, with a specific focus on the history of publishing and reading and the cultural, social and historical study of translations.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGABRIELLA CATALANO<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail: gabriella.catalano99@gmail.com<\/a><\/span><\/b><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gabriella Catalano \u00e8 docente di Lingua tedesca all\u2019Universit\u00e0 di Roma 2 \u201cTor Vergata\u201d. Ha studiato presso l\u2019Istituto Universitario Orientale di Napoli e l\u2019Universit\u00e0 di Vienna. \u00c8 stata ricercatrice all\u2019Universit\u00e0 di Roma 3 e all\u2019Istituto Universitario di Lingue Moderne (IULM) di Milano. \u00c8 autrice di numerosi saggi su autori e temi della letteratura di lingua tedesca fra Settecento e Novecento con particolare attenzione alla storia della traduzione e al rapporto fra letteratura e arti visive. Fra gli autori trattati: Winckelmann, Goethe, A. W. Schlegel, Brentano, Stifter, Fontane, H. v. Hofmannsthal, Bernhard, Jandl.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gabriella Catalano est professeur de langue allemande \u00e0 l’universit\u00e9 de Rome 2 “Tor Vergata”. Elle a \u00e9tudi\u00e9 \u00e0 l’Institut universitaire oriental de Naples et \u00e0 l’universit\u00e9 de Vienne. Elle a \u00e9t\u00e9 chercheuse \u00e0 l’Universit\u00e9 de Rome 3 et \u00e0 l’Institut universitaire des langues modernes (IULM) de Milan. Elle est l’auteure de nombreux essais sur les auteurs et les th\u00e8mes de la litt\u00e9rature de langue allemande entre le XVIIIe et le XXe si\u00e8cle, avec un accent particulier sur l’histoire de la traduction et la relation entre la litt\u00e9rature et les arts visuels. Parmi les auteurs couverts, citons Winckelmann, Goethe, A. W. Schlegel, Brentano, Stifter, Fontane, H. v.. Hofmannsthal, Bernhard, Jandl.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gabriella Catalano is Professor of German language at the University of Rome 2 \u201cTor Vergata\u201d. She studied at the Istituto Universitario Orientale of Naples and the University of Vienna. She has been a researcher at the Roma Tre University and at the University Institute of Modern Languages (IULM) in Milan. She is the author of numerous essays on authors and themes in German-language literature between the 18th and 20th centuries, with a particular focus on the history of translation and the relationship between literature and the visual arts. Authors covered include Winckelmann, Goethe, A. W. Schlegel, Brentano, Stifter, Fontane, H. v. Hofmannsthal, Bernhard, Jandl.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail: <\/b>rob.comes.rc@gmail.com<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Roberta Comes \u00e8 docente di Lettere nella scuola secondaria. Laureata in Lettere Moderne presso l\u2019Universit\u00e0 del Salento, ha discusso una tesi magistrale dal titolo Dinamiche del potere e dinamiche del pensiero: contraddizioni e mutamenti nella riflessione politica alfieriana<\/i>. Ha svolto soggiorni di ricerca presso la Fondazione Centro di Studi Alfieriani e ha partecipato alla Scuola di Alta Formazione \u201cCattedra Vittorio Alfieri\u201d nelle edizioni 2021, 2022, 2023 e 2024, con borsa di studio.\u00a0I suoi interessi di ricerca riguardano la storia della comunicazione politica nell\u2019Italia del XVIII secolo e il ruolo della stampa periodica nel dibattito intellettuale europeo, con particolare attenzione a Lo Spione Italiano<\/i> e a Il Corriere Europeo<\/i>.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Roberta Comes est professeure de lettres dans le secondaire. Dipl\u00f4m\u00e9e en lettres modernes de l’universit\u00e9 du Salento, elle a soutenu une th\u00e8se de ma\u00eetrise intitul\u00e9e \u00ab Dinamiche del potere e dinamiche del pensiero: contraddizioni e mutamenti nella riflessione politica alfieriana<\/i> \u00bb. Elle a effectu\u00e9 des s\u00e9jours de recherche \u00e0 la Fondazione Centro di Studi Alfieriani et a particip\u00e9 \u00e0 la Scuola di Alta Formazione \u00ab Cattedra Vittorio Alfieri \u00bb (\u00c9cole sup\u00e9rieure \u00ab Chaire Vittorio Alfieri \u00bb) en 2021, 2022, 2023 et 2024, gr\u00e2ce \u00e0 une bourse d’\u00e9tudes. Ses int\u00e9r\u00eats de recherche portent sur l’histoire de la communication politique dans l’Italie du XVIIIe si\u00e8cle et le r\u00f4le de la presse p\u00e9riodique dans le d\u00e9bat intellectuel europ\u00e9en, avec une attention particuli\u00e8re pour Lo Spione Italiano<\/em> et Il Corriere Europeo<\/em>.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Roberta Comes is a teacher of Italian Literature and Humanities in secondary education. She holds a degree in Modern Literature from the University of Salento, where she completed a master\u2019s thesis entitled Power Dynamics and Dynamics of Thought: Contradictions and Transformations in Alfieri\u2019s Political Reflection<\/i>. She undertook research stays at the Centro di Studi Alfieriani and attended the advanced training programme \u201cCattedra Vittorio Alfieri\u201d in 2021, 2022, 2023 and 2024, with a scholarship.\u00a0Her research interests focus on political communication in eighteenth-century Italy and on the role of the periodical press in the European intellectual debate, with particular attention to Lo Spione Italiano <\/i>and Il Corriere Europeo.<\/i><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:\u00a0<\/b>chiara.conterno@unibo.it<\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Chiara Conterno ha studiato a Padova e W\u00fcrzburg e nel 2010 si \u00e8 addottorata all\u2019ateneo patavino, in cotutela con la LMU M\u00fcnchen. Dal 2010 al 2016 \u00e8 stata assegnista e\/o borsista (L-LIN\/13) all\u2019Universit\u00e0 di Verona e dal 2016 al 2020 Ricercatore di tipologia b all\u2019Universit\u00e0 di Bologna, dove \u00e8 ora professore associato di Letteratura tedesca. Ha insegnato presso la LMU M\u00fcnchen, l\u2019Universit\u00e0 di Padova, la Fondazione Universit\u00e0 di Mantova, l\u2019Universit\u00e0 di Verona. I suoi ambiti di ricerca riguardano prevalentemente autori tedeschi di origine ebraica dal Settecento ad oggi, letteratura transculturale,\u00a0Briefkultur<\/i>, lirica del Novecento, sogno e letteratura, transfer culturale tra Italia e Germania nel Settecento. Traduce dal tedesco.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Chiara Conterno a \u00e9tudi\u00e9 \u00e0 Padoue et \u00e0 W\u00fcrzburg et en 2010 elle a obtenu son doctorat \u00e0 l’Universit\u00e9 de Padoue, en cotutelle avec LMU M\u00fcnchen. De 2010 \u00e0 2016, elle a \u00e9t\u00e9 postdoctorante et\/ou boursi\u00e8re (L-LIN\/13) \u00e0 l’Universit\u00e9 de V\u00e9rone et, de 2016 \u00e0 2020, chercheuse de type b \u00e0 l’Universit\u00e9 de Bologne, o\u00f9 elle est d\u00e9sormais professeur associ\u00e9 de litt\u00e9rature allemande. Elle a enseign\u00e9 \u00e0 la LMU M\u00fcnchen, \u00e0 l’Universit\u00e9 de Padoue, \u00e0 la Fondation de l’Universit\u00e9 de Mantoue et \u00e0 l’Universit\u00e9 de V\u00e9rone. Ses domaines de recherche concernent principalement les auteurs allemands d’origine juive du XVIII\u00e8me si\u00e8cle \u00e0 nos jours, la litt\u00e9rature transculturelle, la Briefkultur<\/i>, le lyrisme du XX\u00e8me si\u00e8cle, le r\u00eave et la litt\u00e9rature, le transfert culturel entre l’Italie et l’Allemagne au XVIII\u00e8me si\u00e8cle. Elle traduit de l’allemand.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Chiara Conterno studied in Padua and W\u00fcrzburg and in 2010 she received her doctorate degree at the University of Padua, in cotutorship with LMU M\u00fcnchen. From 2010 to 2016 she was a postdoctoral fellow and\/or scholarship holder (L-LIN\/13) at the University of Verona and from 2016 to 2020 a type b researcher at the University of Bologna, where she is now associate professor of German Literature. She has taught at LMU M\u00fcnchen, the University of Padua, the University of Mantua, and the University of Verona. Her areas of research mainly concern German authors of Jewish origin from the 18th century to the present, transcultural literature, Briefkultur<\/i>, twentieth-century lyricism, dreaming and literature, cultural transfer between Italy and Germany in the 18th century. She translates from German.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"PATRIZIA-DELPIANO\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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E-mail:\u00a0<\/b>patrizia.delpiano@unito.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Patrizia Delpiano insegna Storia moderna presso l\u2019Universit\u00e0 di Torino.\u00a0 Ha pubblicato volumi sulla storia dell\u2019universit\u00e0, sulla censura ecclesiastica e sulla libert\u00e0 di stampa nell\u2019Europa del Settecento e sul problema della schiavit\u00f9 atlantica, dal punto di vista storico e storiografico. Ha studiato i periodici scientifici nel Settecento e, con Jeanne Peiffer e Maria Conforti, ha curato\u00a0\u00a0Les journaux savants dans l\u2019Europe des xvii<\/i>e<\/i>\u00a0et xviii<\/i>e<\/i>\u00a0si\u00e8cles. Communication et construction des savoirs \/ Scholarly Journals in Early Modern Europe. Communication and the Construction of knowledge,\u00a0<\/i>\u00abArchives internationales d\u2019histoire des sciences\u00bb, 63, 2013, n. 170-171. Membro del comitato direttivo della \u201cRivista storica italiana\u201d e di altre riviste e collane storiche, \u00e8 attualmente uno dei due vice-presidenti della Societ\u00e0 italiana di Studi sul secolo XVIII secolo (SISSD).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Patrizia Delpiano enseigne l’histoire moderne \u00e0 l’universit\u00e9 de Turin.\u00a0 Elle a publi\u00e9 des ouvrages sur l’histoire de l’universit\u00e9, la censure eccl\u00e9siastique et la libert\u00e9 de la presse dans l’Europe du XVIIIe si\u00e8cle, ainsi que sur le probl\u00e8me de l’esclavage atlantique, dans une perspective historique et historiographique. Il a \u00e9tudi\u00e9 les p\u00e9riodiques scientifiques du XVIIIe si\u00e8cle et a \u00e9dit\u00e9, avec Jeanne Peiffer et Maria Conforti, Les journaux savants dans l’Europe des xviie et xviiie si\u00e8cles. Communication et construction des savoirs \/ Scholarly Journals in Early Modern Europe. Communication et construction des savoirs<\/i>, \u00abArchives internationales d’histoire des sciences\u00bb, 63, 2013, n\u00b0 170-171. Membre du comit\u00e9 de r\u00e9daction de la “Rivista storica italiana” et d’autres revues et s\u00e9ries historiques, elle est actuellement l’une des deux vice-pr\u00e9sidents de la Soci\u00e9t\u00e9 italienne pour les \u00e9tudes du XVIIIe si\u00e8cle (SISSD).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Patrizia Delpiano teaches Modern History at the University of Turin.\u00a0 She has published volumes on the history of the university, ecclesiastical censorship and freedom of the press in\u00a0 18th-century Europe, and on the problem of Atlantic slavery, from a historical and historiographical perspective. She studied scientific periodicals of the 18th century and, with Jeanne Peiffer and Maria Conforti, edited \u00a0Les journaux savants dans l\u2019Europe des xvii<\/i>e<\/i>\u00a0et xviii<\/i>e<\/i>\u00a0si\u00e8cles. Communication et construction des savoirs \/ Scholarly Journals in Early Modern Europe. Communication and the Construction of knowledge<\/i>, \u00abArchives internationales d\u2019histoire des sciences\u00bb, 63, 2013, no. 170-171. A member of the editorial board of the \u201cRivista storica italiana\u201d and other historical journals and series, she is currently one of the two vice-presidents of the Italian Society of Studies on the Eighteenth Century (SISSD).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail: <\/b>angela.fabris@aau.at<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Angela Fabris \u00e8 professore associato di Letterature romanze all\u2019Universit\u00e0 di Klagenfurt e nel 2020 e 2021 \u00e8 stata visiting professor<\/i> a Ca\u2019 Foscari Venezia. Settori privilegiati della sua ricerca sono i giornali spettatoriali \u2013 ambito nel quale \u00e8 di prossima uscita la monografia I giornali veneziani di Gasparo Gozzi. Tra dialogo e consenso sulla scia dello \u00abSpectator\u00bb <\/i>(Olschki, 2022) \u2013 il teatro pregoldoniano, l\u2019epistolario di Metastasio e una serie di saggi sulla rappresentazione del Mediterraneo nella narrativa del Trecento. Dirige una collana open access e in volume (AAIM) presso l\u2019editore De Gruyter e dal 2022 partecipa al progetto internazionale The Invention of the Lottery Fantasy.<\/i><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Angela Fabris est professeur associ\u00e9 de litt\u00e9rature romane \u00e0 l’universit\u00e9 de Klagenfurt et a \u00e9t\u00e9 professeur invit\u00e9 \u00e0 Ca’ Foscari Venise\u00a0 en 2020 et 2021. Les journaux de spectateurs constituent un domaine privil\u00e9gi\u00e9 de sa recherche – un domaine dans lequel est \u00e0 para\u00eetre la monographie I giornali veneziani di Gasparo Gozzi<\/i>. Tra dialogo e consenso sulla scia dello \u00abSpectator\u00bb <\/i>(Olschki, 2022) – le th\u00e9\u00e2tre pr\u00e9-goldonien, l’\u00e9pistolaire de Metastasio et une s\u00e9rie d’essais sur la repr\u00e9sentation de la M\u00e9diterran\u00e9e dans la fiction du XIVe si\u00e8cle. Elle \u00e9dite une collection en libre acc\u00e8s et en volume (AAIM) chez l’\u00e9diteur De Gruyter et participe au projet international The Invention of the Lottery Fantasy<\/i> depuis 2022.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Angela Fabris is associate professor of Romance Literature at the University of Klagenfurt and was visiting professor at Ca’ Foscari Venice in 2020 and 2021. Privileged areas of her research are spectator journals – an area in which the monograph I giornali veneziani di Gasparo Gozzi. Tra dialogo e consenso sulla scia dello \u00abSpectator\u00bb<\/i> (Olschki, 2022) is forthcoming – the pre-Goldonian theatre, Metastasio’s epistolary and a series of essays on the representation of the Mediterranean in 14th-century fiction. She edits an open access and volume series (AAIM) at the publisher De Gruyter and has been involved in the international project The Invention of the Lottery Fantasy <\/i>since 2022.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail<\/b>: <\/span>eric.francalanza@univ-brest.fr<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Eric Francalanza \u00e8 professore ordinario di Letteratura francese del Settecento presso l\u2019Universit\u00e9 de Bretagne occidentale (Brest). Dopo l\u2019Agr\u00e9gation, ha conseguito il Dottorato nel 1999 presso l\u2019Universit\u00e0 di Nancy II e nel 2006 l\u2019abilitazione in Letteratura francese del XVIII secolo presso la Sorbonne (Paris IV).\u00a0 Dal 2013 al 2020, ha diretto il Centro di ricerca sui Carteggi e Diari dell\u2019Universit\u00e0 di Brest (Centre d\u2019Etude des correspondances et journaux intimes – CECJI) e ha da poco creato un Master appoggiato a questo centro di ricerca. Le sue ricerche sono particolarmente incentrate sulla letteratura lato sensu narrativa, periodica ed epistolare, sia questa fittizia o reale. Sta organizzando un seminario di ricerca che avr\u00e0 inizio nel 2023 e verter\u00e0 sul tema \u201cLettres et p\u00e9riodiques\u201d.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Eric Francalanza est professeur de litt\u00e9rature fran\u00e7aise du XVIIIe si\u00e8cle \u00e0 l’Universit\u00e9 de Bretagne Occidentale (Brest). Apr\u00e8s l’Agr\u00e9gation, il a obtenu son doctorat en 1999 \u00e0 l’Universit\u00e9 de Nancy II et son habilitation en litt\u00e9rature fran\u00e7aise du XVIIIe si\u00e8cle \u00e0 la Sorbonne (Paris IV) en 2006.\u00a0 De 2013 \u00e0 2020, il a dirig\u00e9 le Centre d’\u00e9tude des correspondances et journaux intimes (CECJI) de l’Universit\u00e9 de Brest et a r\u00e9cemment cr\u00e9\u00e9 un master adoss\u00e9 \u00e0 ce centre de recherche. Ses recherches sont particuli\u00e8rement ax\u00e9es sur la litt\u00e9rature narrative, p\u00e9riodique et \u00e9pistolaire, qu’elle soit fictive ou r\u00e9elle. Il organise un s\u00e9minaire de recherche qui d\u00e9butera en 2023 et portera sur les “Lettres et p\u00e9riodiques”.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Eric Francalanza is professor of 18th-century French Literature at the Universit\u00e9 de Bretagne Occidental (Brest). After the Agr\u00e9gation, he obtained his doctorate in 1999 from the University of Nancy II and his habilitation in 18th-century French Literature from the Sorbonne (Paris IV) in 2006.\u00a0 From 2013 to 2020, he directed the University of Brest’s Centre for Research on Correspondances and Journals (Centre d’Etude des correspondances et journaux intimes – CECJI) and has recently created a Master’s degree programme supported by this research centre. His research is particularly focused on narrative, periodical and epistolary literature, whether fictional or real. He is organising a research seminar that will start in 2023 and will focus on \u201cLettres et p\u00e9riodiques\u201d.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Emanuele\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tEMANUELE GIUSTI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>emanuele.giusti@unifi.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Emanuele Giusti si \u00e8 addottorato presso l\u2019Universit\u00e0 di Firenze e l\u2019\u00c9cole Normale Sup\u00e9rieure di Parigi. Specialista di storia culturale e intellettuale dell\u2019orientalismo, letteratura di viaggio e storia della storiografia in et\u00e0 moderna, si interessa al ruolo dei periodici come spazio di produzione dei saperi sul passato, specie in ambito imperiale e coloniale. Dalla sua tesi di dottorato, volta a incrociare il problema della ricezione dell\u2019antico con quello dell\u2019orientalismo europeo e vincitrice nel 2023 del premio Stumpo della Societ\u00e0 Italiana per la Storia dell\u2019Et\u00e0 Moderna, \u00e8 tratta la monografia Le quaranta colonne. Le rovine di Persia nella cultura europea del diciottesimo secolo<\/em> (2025).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Emanuele Giusti earned his PhD at the University of Florence and the \u00c9cole Normale Sup\u00e9rieure in Paris. He is a specialist in the cultural and intellectual history of Orientalism, travel literature, and the history of historiography in the early modern era, and he is interested in the role of periodicals as spaces for the production of knowledge about the past, especially in imperial and colonial contexts. From his doctoral dissertation \u2013 which sought to cross and connect the issue of the reception of antiquity with that of European Orientalism and which won in 2023 the Stumpo Prize of the Italian Society for the History of the Early Modern Age \u2013 derives his monograph Le quaranta colonne. Le rovine di Persia nella cultura europea del diciottesimo secolo<\/em> (2025).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Emanuele Giusti a obtenu son doctorat \u00e0 l\u2019Universit\u00e9 de Florence et \u00e0 l\u2019\u00c9cole Normale Sup\u00e9rieure de Paris. Il est sp\u00e9cialiste de l\u2019histoire culturelle et intellectuelle de l\u2019orientalisme, de la litt\u00e9rature de voyage et de l\u2019histoire de l\u2019historiographie \u00e0 l\u2019\u00e9poque moderne. Il s\u2019int\u00e9resse particuli\u00e8rement au r\u00f4le des p\u00e9riodiques comme espace de production des savoirs sur le pass\u00e9, notamment dans les contextes imp\u00e9riaux et coloniaux. De sa th\u00e8se de doctorat \u2013 visant \u00e0 croiser la question de la r\u00e9ception de l\u2019Antiquit\u00e9 avec celle de l\u2019orientalisme europ\u00e9en et laur\u00e9ate en 2023 du prix Stumpo de la Soci\u00e9t\u00e9 italienne pour l\u2019histoire de l\u2019\u00e9poque moderne \u2013 est issue la monographie Le quaranta colonne. Le rovine di Persia nella cultura europea del diciottesimo secol<\/em> (2025).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"RUDJ-GORIAN\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tRUDJ GORIAN<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>rgorian@libero.it<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Rudj Gorian ha ottenuto il Dottorato in \u201cScienze bibliografiche\u201d all\u2019Universit\u00e0 di Udine (2003), dove \u00e8 stato docente a contratto di \u201cStoria del libro e della stampa\u201d. Bibliotecario al Seminario patriarcale di Venezia (fondo librario antico) tra 2009 e 2014, dal 2013 \u00e8 abilitato come professore universitario di II fascia nell\u2019ambito delle Scienze del libro e del documento, campo in cui dal 1999 ha pubblicato articoli e volumi, tra cui diversi studi sulla stampa periodica antica, come\u00a0Le gazzette sul conclave (1724-1779). Analisi di una tipologia di periodici veneziani\u00a0<\/i>(2007);\u00a0Editoria e informazione a Gorizia nel Settecento: la \u201cGazzetta goriziana\u201d<\/i>\u00a0(2010; tradotto in sloveno nel 2019);\u00a0Nascosti tra i libri. I periodici antichi della Biblioteca del Seminario patriarcale di Venezia (1607-1800)<\/i>\u00a0(2017).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Rudj Gorian a obtenu son doctorat en \u201cSciences bibliographiques\u201d \u00e0 l’universit\u00e9 d’Udine (2003), o\u00f9 il \u00e9tait professeur adjoint de “Histoire du livre et de l’imprimerie”. Biblioth\u00e9caire au S\u00e9minaire patriarcal de Venise (collection de livres anciens) entre 2009 et 2014, il est depuis 2013 qualifi\u00e9 d’enseignant universitaire dans le domaine des sciences du livre et du document, domaine dans lequel il a publi\u00e9 des articles et des volumes depuis 1999, dont plusieurs \u00e9tudes sur des p\u00e9riodiques anciens, comme Le gazzette sul conclave (1724-1779). Analisi di una tipologia di periodici veneziani<\/i> (2007) ; Editoria e informazione a Gorizia nel Settecento : la “Gazzetta goriziana”<\/i> (2010 ; traduit en slov\u00e8ne en 2019) ; Nascosti tra i libri. I periodici antichi della Biblioteca del Seminario patriarcale di Venezia<\/i> (1607-1800) (2017).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Rudj Gorian obtained his PhD in \u201cBibliographic Sciences\u201d at the University of Udine (2003), where he was a contract professor of \u201cHistory of Books and Printing\u201d. A librarian at the Patriarchal Seminary of Venice (antique book collection) between 2009 and 2014, he obtained his habilitation as a university professor in the field of Book and Document Sciences\u00a0 in 2013, a field in which he has published articles and volumes since 1999, including several studies on antique periodicals, such as Le gazzette sul conclave (1724-1779). Analisi di una tipologia di periodici veneziani\u00a0<\/i>(2007);\u00a0Editoria e informazione a Gorizia nel Settecento: la \u201cGazzetta goriziana\u201d<\/i>\u00a0(2010; translated into Slovenian in 2019); \u00a0Nascosti tra i libri. I periodici antichi della Biblioteca del Seminario patriarcale di Venezia (1607-1800)<\/i>\u00a0(2017).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"CLAUDIO\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCLAUDIO GRIMALDI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>claudio.grimaldi@uniparthenope.it<\/span><\/a>\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Claudio Grimaldi \u00e8 professore associato di Lingua francese presso l\u2019Universit\u00e0 di Napoli \u201dParthenope\u201d, dove ha conseguito il titolo di Dottore di ricerca. Le sue ricerche interessano la terminologia, la stampa periodica francese del Settecento, la lessicologia e la lessicografia francese-italiano\/italiano-francese. La sua monografia\u00a0Discours et terminologie dans la presse scientifique fran\u00e7aise (1699-1740).\u00a0La construction des lexiques de la botanique et de la chimie\u00a0<\/i>(Peter Lang, 2017) \u00e8 risultata\u00a0vincitrice della Medaglia\u00a0Leonardo Da Vinci\u00a0<\/i>per il miglior elaborato originale scientifico o artistico. Dal 2019 \u00e8 Presidente dell\u2019Associazione Italiana per la Terminologia (Ass.I.Term). Ha pubblicato recentemente il volume Les <\/i>\u00c9loges de Fontenelle. La cr\u00e9ation du discours sur la science<\/i> (L\u2019Harmattan, 2020).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Claudio Grimaldi est professeur associ\u00e9 en langue fran\u00e7aise \u00e0 l’Universit\u00e9 de Naples “Parthenope”, o\u00f9 il a obtenu un doctorat.\u00a0 Ses recherches portent sur la terminologie, la presse p\u00e9riodique fran\u00e7aise du XVIIIe si\u00e8cle, la lexicologie et la lexicographie fran\u00e7ais-italien\/italien-fran\u00e7ais. Sa monographie Discours et terminologie dans la presse scientifique fran\u00e7aise (1699-1740). La construction des lexiques de la botanique et de la chimie<\/i> (Peter Lang, 2017) a \u00e9t\u00e9 le laur\u00e9at de la m\u00e9daille Leonardo da Vinci<\/em> pour le meilleur article scientifique ou artistique original. Depuis 2019, il est pr\u00e9sident de l’Association italienne de terminologie (Ass.I.Term). Il a r\u00e9cemment publi\u00e9 le volume Les <\/i>\u00c9loges de Fontenelle. La cr\u00e9ation du discours sur la science<\/i> (L\u2019Harmattan, 2020).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Claudio Grimaldi is Associate Professor in French Language at the University of Naples \u201cParthenope\u201d, where he obtained his PhD. His research interests include terminology, the French periodical press of the 18th century, lexicology and French-Italian\/Italian-French lexicography. His monograph Discours et terminologie dans la presse scientifique fran\u00e7aise (1699-1740).\u00a0La construction des lexiques de la botanique et de la chimie\u00a0<\/i>(Peter Lang, 2017 was the winner of the Leonardo Da Vinci <\/i>Medal for the best original scientific or artistic paper. Since 2019, he has been President of the Italian Association for Terminology (Ass.I.Term). He recently published the volume Les <\/i>\u00c9loges de Fontenelle. La cr\u00e9ation du discours sur la science<\/i> (L\u2019Harmattan, 2020).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:\u00a0<\/b>gualdo@unitus.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Riccardo Gualdo ha studiato Storia della lingua italiana a Roma e ha conseguito il Dottorato di ricerca in Italianistica nel 1992 con una tesi sulla lingua medica del Quattrocento; dal 2010 \u00e8 ordinario di Linguistica italiana all\u2019Universit\u00e0 degli Studi della Tuscia. \u00c8 Segretario dell\u2019Accademia dell\u2019Arcadia e socio corrispondente dell\u2019Accademia della Crusca. \u00c8 stato presidente dell\u2019Associazione italiana per la terminologia. Ha collaborato alla redazione del\u00a0Vocabolario della lingua italiana Treccani<\/i>, diretto da Aldo Duro, e all\u2019edizione Mondadori dei poeti della Scuola siciliana. Ha studiato la lingua scientifica italiana dei primi secoli e dell\u2019et\u00e0 contemporanea, e pubblicato numerosi studi sull\u2019influsso dell\u2019inglese sull\u2019italiano e sul linguaggio contemporaneo delle scienze, della politica, del diritto, del giornalismo e della pubblicit\u00e0.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Riccardo Gualdo a \u00e9tudi\u00e9 l’histoire de la langue italienne \u00e0 Rome et a obtenu son doctorat en \u00e9tudes italiennes en 1992 avec une th\u00e8se sur la langue m\u00e9dicale du XVe si\u00e8cle. Depuis 2010, il est professeur titulaire de linguistique italienne \u00e0 l’Universit\u00e9 de Tuscia. Il est secr\u00e9taire de l’Accademia dell’Arcadia <\/i>et membre correspondant de l’Accademia della Crusca<\/i>. Il a \u00e9t\u00e9 pr\u00e9sident de l’Association italienne de terminologie. Il a collabor\u00e9 \u00e0 la r\u00e9daction du Vocabolario della lingua italiana Treccani<\/i>, \u00e9dit\u00e9 par Aldo Duro, et \u00e0 l’\u00e9dition Mondadori des po\u00e8tes de l’\u00e9cole sicilienne. Il a \u00e9tudi\u00e9 la langue scientifique italienne des premiers si\u00e8cles et de l’\u00e9poque contemporaine, et a publi\u00e9 de nombreuses \u00e9tudes sur l’influence de l’anglais sur l’italien et la langue contemporaine de la science, de la politique, du droit, du journalisme et de la publicit\u00e9.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Riccardo Gualdo studied History of the Italian language in Rome and received his PhD in Italianistics in 1992 with a thesis on the medical language of the 15th century. Since 2010, he has been full professor of Italian Linguistics at the University of Tuscia. He is secretary of the Accademia dell’Arcadia<\/i> and a corresponding member of the Accademia della Crusca<\/i>. He was president of the Associazione italiana per la terminologia<\/i>. He collaborated in the editing of the Vocabolario della lingua italiana Treccani<\/i>, edited by Aldo Duro, and the Mondadori edition of the poets of the Sicilian School. He has studied the Italian scientific language of the early centuries and the contemporary age, and published numerous studies on the influence of English on Italian and the contemporary language of science, politics, law, journalism and advertising.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:<\/b>corinna.guerra@unive.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Storica della scienza specializzata nella chimica nel Settecento al Sud Italia e nei disastri naturali, insegna Environmental Humanities presso l\u2019Universit\u00e0 Ca\u2019 Foscari di Venezia dove \u00e8 anche coordinatrice scientifica della Cattedra UNESCO “Water Heritage and Sustainable Development”. In precedenza ha lavorato presso l’\u00c9cole des Hautes \u00c9tudes en Sciences Sociales e l\u2019Istituto Italiano per gli Studi Storici. Nel 2017 ha ricevuto il Premio Young Historians dell\u2019International Academy of the History of Science e nel 2023 \u00e8 stata invitata dall\u2019Accademia dei Lincei a tenere una \u201cConferenza Lincea\u201d.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Historienne des sciences sp\u00e9cialis\u00e9e dans la chimie du XVIIIe si\u00e8cle dans le sud de l’Italie et les catastrophes naturelles, elle enseigne les sciences humaines environnementales \u00e0 l’universit\u00e9 Ca’ Foscari de Venise, o\u00f9 elle est \u00e9galement coordinatrice scientifique de la chaire UNESCO \u00ab Patrimoine hydrique et d\u00e9veloppement durable \u00bb. Auparavant, elle a travaill\u00e9 \u00e0 l’\u00c9cole des Hautes \u00c9tudes en Sciences Sociales et \u00e0 l’Istituto Italiano per gli Studi Storici. En 2017, elle a re\u00e7u le Prix des jeunes historiens de l’Acad\u00e9mie internationale d’histoire des sciences et en 2023, elle a \u00e9t\u00e9 invit\u00e9e par l’Acad\u00e9mie Lincei \u00e0 donner une \u00ab Conferenza Lincea \u00bb.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Historian of science specialising in 18th<\/sup>-century chemistry in Southern Italy and natural disasters, she teaches Environmental Humanities at Ca’ Foscari University of Venice, where she is also scientific coordinator of the UNESCO Chair \u201cWater Heritage and Sustainable Development\u201d. Previously, she worked at the \u00c9cole des Hautes \u00c9tudes en Sciences Sociales and the Istituto Italiano per gli Studi Storici. In 2017, she received the Prize Young Historians from the International Academy of the History of Science and in 2023 she was invited by the Lincei Accademy to give a \u201cConferenza Lincea\u201d.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:\u00a0<\/b>hassler@uni-potsdam.de<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gerda Ha\u00dfler \u00e8 professoressa di Linguistica e Linguistica Applicata all\u2019Istituto di studi romanzi dell\u2019Universit\u00e0 di Potsdam dal 1993. Ha studiato Lingue e Letterature romanze e slave alla Martin Luther Universit\u00e4t di Halle-Wittenberg, dove ha conseguito il dottorato in Linguistica Generale con una tesi sulle teorie linguistiche dell\u2019Illuminismo sul ruolo del linguaggio nel processo di cognizione, e l\u2019abilitazione con una tesi sulla storia del concetto semantico di valore dal XVIII al XX secolo. I suoi attuali interessi di ricerca sono la grammatica funzionale e la pragmatica delle lingue romanze, la semantica storica e la storia della linguistica. \u00c8 membro associato del Laboratoire Mod\u00e8les, Dynamiques, Corpus<\/i> dell\u2019Universit\u00e9 Paris Nanterre e del Laboratoire de Recherche sur le Langage<\/i> dell\u2019Universit\u00e9 Clermont Auvergne.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gerda Ha\u00dfler est professeur de linguistique et de linguistique appliqu\u00e9e \u00e0 l’Institut d’\u00e9tudes romanes de l’Universit\u00e9 de Potsdam depuis 1993. Elle a \u00e9tudi\u00e9 les langues et litt\u00e9ratures romanes et slaves \u00e0 l’universit\u00e9 Martin Luther de Halle-Wittenberg, o\u00f9 elle a obtenu son doctorat en linguistique g\u00e9n\u00e9rale avec une th\u00e8se sur les th\u00e9ories linguistiques des Lumi\u00e8res concernant le r\u00f4le du langage dans le processus de cognition, et son habilitation avec une th\u00e8se sur l’histoire du concept s\u00e9mantique de valeur du XVIIIe au XXe si\u00e8cle. Ses recherches actuelles portent sur la grammaire fonctionnelle et la pragmatique des langues romanes, la s\u00e9mantique historique et l’histoire de la linguistique. Elle est membre associ\u00e9 du Laboratoire Mod\u00e8les, Dynamiques, Corpus<\/em> de l’Universit\u00e9 Paris Nanterre et du Laboratoire de Recherche sur le Langage<\/em> de l’Universit\u00e9 Clermont Auvergne.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gerda Ha\u00dfler has been Professor of Linguistics and Applied Linguistics at the Institute for Romance Studies at the University of Potsdam since 1993. She studied Romance and Slavic Languages and Literatures at the Martin-Luther-Universit\u00e4t of Halle-Wittenberg, where she obtained her PhD in General Linguistics with a thesis on Enlightenment linguistic theories on the role of language in the process of cognition, and her habilitation with a thesis on the history of the semantic concept of value from the 18th to the 20th century. Her current research interests are functional grammar and pragmatics of Romance languages, historical semantics and the history of linguistics. She is an associate member of the Laboratoire Mod\u00e8les, Dynamiques, Corpus<\/i> of the Universit\u00e9 Paris Nanterre and of the Laboratoire de Recherche sur le Langage of the Universit\u00e9 Clermont Auvergne<\/i>.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:\u00a0<\/b>giovanni.iamartino@unimi.it<\/span><\/a> \u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giovanni Iamartino \u00e8 ordinario di Storia della lingua inglese presso il Dipartimento di Lingue, Letterature, Culture e Mediazioni dell’Universit\u00e0 degli Studi di Milano. E\u2019 attualmente uno dei vice-presidenti della SISSD \u2013 Societ\u00e0 Italiana di Studi sul Secolo Diciottesimo. I suoi interessi di ricerca primari si concentrano sulla storia dei rapporti linguistici, letterari e culturali anglo-italiani, sulla traduttologia e la storia della traduzione, e infine sulla storia della lessicografia inglese e della codificazione linguistica in generale. Iamartino \u00e8 interessato al discorso giornalistico inglese del Sette-Ottocento.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giovanni Iamartino est professeur d’histoire de la langue anglaise au d\u00e9partement des langues, litt\u00e9ratures, cultures et m\u00e9diations de l’universit\u00e9 de Milan. Il est actuellement l’un des vice-pr\u00e9sidents de la SISSD – Societ\u00e0 Italiana di Studi sul Secolo Diciottesimo<\/i>. Ses principaux int\u00e9r\u00eats de recherche portent sur l’histoire des relations linguistiques, litt\u00e9raires et culturelles anglo-italiennes, la traductologie et l’histoire de la traduction, ainsi que l’histoire de la lexicographie anglaise et de la codification linguistique en g\u00e9n\u00e9ral. Iamartino s’int\u00e9resse au discours journalistique anglais des XVIIIe et XIXe si\u00e8cles.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giovanni Iamartino is professor of History of the English Language at the Department of Languages, Literatures, Cultures and Mediations of the University of Milan. He is currently one of the vice-presidents of SISSD – Societ\u00e0 Italiana di Studi sul Secolo Diciottesimo<\/i>. His primary research interests focus on the history of Anglo-Italian linguistic, literary and cultural relations, translatology and the history of translation, and also the history of English lexicography and of linguistic codification in general. Iamartino is interested in English journalistic discourse in the 18th to 19th centuries.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"ROBERT-LUKENDA\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tROBERT LUKENDA<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>lukenda@uni-mainz.de<\/span><\/a>\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Dopo aver insegnato e svolto attivit\u00e0 di ricerca presso l’Universit\u00e0 Johannes Gutenberg di Magonza, Robert Lukenda \u00e8 attualmente (2025-2026) professore a contratto limitato di letteratura francese e italiana presso l’Universit\u00e0 Goethe di Francoforte. Le sue ricerche vertono sulla letteratura francese contemporanea (costruzione e rappresentazione del reale) e sulla storia della traduzione nel Romanticismo europeo. Lukenda \u00e8 particolarmente interessato al ruolo della traduzione nelle riviste culturali italiane dell’inizio del XIX secolo, come strumento strategico tra la nazionalizzazione e l’europeizzazione dell’Italia. \u00c8 co-editore della collana\u00a0Studien zur \u00dcbersetzungsgeschichte<\/i>\u00a0(Studies on the History of Translation<\/i>).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Apr\u00e8s avoir \u00e9t\u00e9 enseignant-chercheur \u00e0 l\u2019universit\u00e9 Johannes Gutenberg de Mayence, Robert Lukenda est actuellement (2025-2026) professeur invit\u00e9 de lettres fran\u00e7aises et italiennes \u00e0 l\u2019universit\u00e9 Goethe de Francfort.\u00a0Ses recherches portent sur la litt\u00e9rature fran\u00e7aise contemporaine (construction et repr\u00e9sentation du r\u00e9el) et sur l\u2019histoire de la traduction dans le romantisme europ\u00e9en. Il s’int\u00e9resse plus particuli\u00e8rement au r\u00f4le de la traduction dans les magazines culturels italiens du d\u00e9but du XIXe si\u00e8cle, en tant qu\u2019instrument strat\u00e9gique entre la nationalisation et l\u2019europ\u00e9anisation de l\u2019Italie.\u00a0<\/span>Il est co-\u00e9diteur de la collection\u00a0Studien zur \u00dcbersetzungsgeschichte<\/i>\u00a0(Studies on the History of Translation<\/i>).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Robert Lukenda is currently (2025-2026) visiting professor of French and Italian literature at Goethe University Frankfurt. His research focuses on contemporary French literature (particularly the construction and representation of reality and the history of translation in European Romanticism. He is particularly interested in the role of translation in early nineteenth-century Italian cultural and scientific magazines as a strategic instrument in the processes of both the nationalisation and unification of Italy. He is co-editor of the book seriesStudien zur \u00dcbersetzungsgeschichte<\/em>\u00a0(Studies on the History of Translation<\/em>).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:\u00a0<\/b>yasmine.marcil@sorbonne-nouvelle.fr<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Yasmine Marcil ha studiato all’Ecole des Hautes Etudes en Sciences Sociales (EHESS) di Parigi, dove ha conseguito un dottorato in storia moderna. Insegna all’Universit\u00e0 Sorbonne Nouvelle (Paris3), principalment la storia del libro e della stampa. La sua ricerca si concentra sui periodici del XVIII secolo, sulla letteratura di viaggio e sulla salute. Ha condotto studi sul fascino della letteratura di viaggio e della scrittura del resoconto nei periodici e sul viaggiatore Charles-Marie de La Condamine. Il suo lavoro pi\u00f9 recente si \u00e8 concentrato sulla salute nei giornali generalisti, attraverso il prisma dell’attualit\u00e0 e della polemica (sul tema dell’inoculazione del vaiolo).<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Yasmine Marcil a \u00e9tudi\u00e9 \u00e0 l’\u00c9cole des hautes \u00e9tudes en sciences sociales (EHESS) \u00e0 Paris, o\u00f9 elle a obtenu un doctorat en histoire moderne. Elle enseigne \u00e0 l’Universit\u00e9 Sorbonne Nouvelle (Paris3), principalement l’histoire du livre et de l’imprimerie. Ses recherches portent sur les p\u00e9riodiques du XVIIIe si\u00e8cle, la litt\u00e9rature de voyage et de sant\u00e9. Elle a men\u00e9 des \u00e9tudes sur la fascination exerc\u00e9e par la litt\u00e9rature de voyage et les r\u00e9cits dans les p\u00e9riodiques, ainsi que sur le voyageur Charles-Marie de La Condamine. Ses travaux les plus r\u00e9cents portent sur la sant\u00e9 dans les p\u00e9riodiques g\u00e9n\u00e9ralistes, \u00e0 travers le prisme de l’actualit\u00e9 et de la controverse (sur le th\u00e8me de l’inoculation de la variole).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Yasmine Marcil studied at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, where she obtained a doctorate in modern history. She teaches at the Universit\u00e9 Sorbonne Nouvelle (Paris3), focusing on the history of books and the press. Her research focuses on eighteenth-century periodicals, travel writing and health. She has conducted studies on the appeal of travel literature and the writing of reviews in periodicals, and on the traveller Charles-Marie de La Condamine. Her most recent work has focused on health in general newspapers, through the prism of current affairs and controversy (on the subject of smallpox inoculation).<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:\u00a0<\/b>franz.meier@philhist.uni-augsburg.de<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Franz Meier ha conseguito il Dottorato di ricerca in Linguistica delle Lingue romanze nel 2016 e insegna Linguistica francese e italiana presso l\u2019Universit\u00e0 di Augsburg. I suoi studi riguardano attualmente la questione della lingua nell\u2019area francofona e il ruolo della traduzione come variet\u00e0 di contatto nella storia del francese e dell\u2019italiano. Studia i periodici scientifici nel Settecento con un focus sul ruolo delle traduzioni francesi nell\u2019evoluzione della sintassi della lingua scientifica italiana della fine del XVIII secolo.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Franz Meier a obtenu son doctorat en linguistique des langues romanes en 2016 et enseigne la linguistique fran\u00e7aise et italienne \u00e0 l’Universit\u00e9 d’Augsbourg. Ses \u00e9tudes portent actuellement sur la question de la langue dans l’espace francophone et sur le r\u00f4le de la traduction comme vari\u00e9t\u00e9 de contact dans l’histoire du fran\u00e7ais et de l’italien. Il \u00e9tudie les p\u00e9riodiques scientifiques au XVIIIe si\u00e8cle en mettant l’accent sur le r\u00f4le des traductions fran\u00e7aises dans l’\u00e9volution de la syntaxe de la langue scientifique italienne \u00e0 la fin du XVIIIe si\u00e8cle.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Franz Meier received his PhD in Linguistics of Romance Languages in 2016 and teaches French and Italian Linguistics at the University of Augsburg. His studies currently concern the question of language in the French-speaking area and the role of translation as a contact variety in the history of French and Italian. He studies scientific periodicals in the 18th century with a focus on the role of French translations in the evolution of the syntax of the Italian scientific language at the end of the 18th century.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:<\/b><\/p>

annachiara<\/span>.monaco<\/span>@unina.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Annachiara Monaco \u00e8 assegnista di ricerca all\u2019Universit\u00e0 di Perugia e docente a contratto di Linguistica italiana all\u2019Universit\u00e0 Federico II, dove ha conseguito il dottorato in Filologia nel 2021. Ha svolto soggiorni di formazione e di ricerca presso la Bodleian Library di Oxford e la Universiteit Leiden, ed \u00e8 stata allieva della Scuola di Alta Formazione in Storia del Manoscritto e del Libro Antico diretta da Andrea Mazzucchi.
I suoi interessi di ricerca sono legati ai seguenti ambiti: sintassi e testualit\u00e0 della cronachistica medievale; tipologie testuali e circuiti informativi tra tardo medioevo e prima et\u00e0 moderna (testi amministrativi, relazioni a stampa, gazzette); soluzioni narrative e stilistiche nel romanzo del secondo Novecento.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Annachiara Monaco est chercheuse \u00e0 l’Universit\u00e9 de P\u00e9rouse et professeure contractuelle de linguistique italienne \u00e0 l’Universit\u00e9 Federico II, o\u00f9 elle a obtenu son doctorat en philologie en 2021.
Elle a effectu\u00e9 des s\u00e9jours de formation et de recherche \u00e0 la Bodleian Library d’Oxford et \u00e0 l’Universiteit Leiden, et a \u00e9t\u00e9 \u00e9tudiante \u00e0 la Scuola di Alta Formazione in Storia del Manuscrito e del Libro Antico dirig\u00e9e par Andrea Mazzucchi.
Ses int\u00e9r\u00eats de recherche portent sur les domaines suivants : syntaxe et textualit\u00e9 des chroniques m\u00e9di\u00e9vales ; typologies textuelles et circuits d\u2019information entre la fin du Moyen \u00c2ge et le d\u00e9but de l\u2019\u00e9poque moderne (textes administratifs, rapports imprim\u00e9s, gazettes) ; solutions narratives et stylistiques dans le roman de la seconde moiti\u00e9 du XXe si\u00e8cle.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Annachiara Monaco is a post-doc researcher at the University of Perugia and a adjunct professor in Italian Linguistics at the University Federico II, where she received her PhD in Philology in 2021.\nShe carried out training and research stays at the Bodleian Library of Oxford and at the University of Leiden. She was also a student at the Scuola di Alta Formazione in Storia del Manoscritto e del Libro Antico directed by Andrea Mazzucchi.\n\nHer research interests are related to the following areas: syntax and textual aspects in medieval chronicles; textual typologies and information circuits between the medieval and early modern ages (administrative texts, printed reports, gazettes); narrative and stylistic solutions in the novel of the second half of the 20th century.<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"MICHELE-ORTORE\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMICHELE ORTORE<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail: <\/b>michele.ortore@unier.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Michele Ortore si \u00e8 laureato all’Universit\u00e0 Sapienza in “Filologia moderna”, sotto la guida di Luca Serianni; ha conseguito nel 2019 il dottorato in “Linguistica Storica, Linguistica Educativa e Italianistica. L’Italiano, le altre Lingue e Culture” all’Universit\u00e0 per Stranieri di Siena, con una tesi sulla lingua dell’astronomia nel primo Settecento. I suoi interessi di ricerca principali riguardano i linguaggi specialistici e il loro contatto con la lingua comune o letteraria. Ha collaborato con l’INVALSI, con Mondadori Education e Zanichelli alla stesura di opere grammaticali e lessicografiche. Nel 2020-2021 \u00e8 stato assegnista di ricerca presso l’Istituto Opera del Vocabolario Italiano (CNR) e redattore del TLIO. Attualmente \u00e8 Ricercatore (RTDa) all’Universit\u00e0 per Stranieri di Siena. Come giornalista pubblicista si \u00e8 occupato anche di teatro e poesia.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Michele Ortore est dipl\u00f4m\u00e9 de l’Universit\u00e9 Sapienza en “Philologie moderne”, sous la direction de Luca Serianni ; en 2019, il a obtenu son doctorat en “Linguistique historique, linguistique \u00e9ducative et \u00e9tudes italiennes”. Italien, autres langues et cultures” \u00e0 l’Universit\u00e9 pour \u00e9trangers de Sienne, avec une th\u00e8se sur le langage de l’astronomie au d\u00e9but du XVIIIe si\u00e8cle. Ses principaux int\u00e9r\u00eats de recherche concernent les langues sp\u00e9cialis\u00e9es et leur contact avec la langue commune ou litt\u00e9raire. Il a collabor\u00e9 avec INVALSI, Mondadori Education et Zanichelli pour des travaux grammaticaux et lexicographiques. En 2020-2021, il a \u00e9t\u00e9 charg\u00e9 de recherche \u00e0 l’Istituto Opera del Vocabolario<\/em> Italiano<\/em> (CNR) et r\u00e9dacteur en chef de TLIO. Il est actuellement chercheur (RTDa) \u00e0 l’Universit\u00e9 pour \u00e9trangers de Sienne. En tant que journaliste ind\u00e9pendant, il a \u00e9galement travaill\u00e9 sur le th\u00e9\u00e2tre et la po\u00e9sie.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Michele Ortore graduated at Sapienza University in “Modern Philology”, under the guidance of Luca Serianni; in 2019, he obtained his PhD in “Historical Linguistics, Educational Linguistics and Italianistics. Italian, Other Languages and Cultures” at the University for Foreigners of Siena, with a thesis on the language of astronomy in the early 18th century. His main research interests concern specialised languages and their contact with the common or literary language. He has collaborated with INVALSI, Mondadori Education and Zanichelli on grammatical and lexicographical works. In 2020-2021 he was a Research Fellow at the Istituto Opera del Vocabolario Italiano <\/i>(CNR) and editor of TLIO. He is currently a Research Fellow (RTDa) at the University for Foreigners of Siena. He has also worked on theatre and poetry as a freelance journalist.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Peiffer\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tJEANNE PFEIFFER<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail: jeanne.peiffer@cnrs.fr<\/span><\/a>\u00a0<\/b><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Jeanne Peiffer \u00e8 direttore di ricerca emerita del CNRS e lavora presso il Centro Alexandre Koyr\u00e9. Storia della scienza e della tecnologia, Parigi. Come storica della matematica, ha lavorato sulle reti di corrispondenza nell’era moderna. Ha co-coordinato due progetti di ricerca sulla storia dei periodici: “Les journaux savants dans l’Europe moderne. Communication et construction des savoirs” (<\/span>Archives internationales d’histoire des sciences<\/span><\/i>, vol. 63, n. 170-171, 2013) e “Circulation des math\u00e9matiques dans et par les journaux: histoire, territoires et publics” (CIRMATH), i cui risultati sono in corso di pubblicazione.\u00a0<\/span><\/p>

Per maggiori dettagli, visitare: <\/span>https:\/\/cak.ehess.fr\/membres\/jeanne-peiffer<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Jeanne Peiffer est Directrice de Recherche \u00e9m\u00e9rite au CNRS et rattach\u00e9e au Centre Alexandre Koyr\u00e9. Histoire des sciences et des techniques, Paris. En tant qu\u2019historienne des math\u00e9matiques, elle a travaill\u00e9 entre autres sur les r\u00e9seaux de correspondance \u00e0 l\u2019\u00e9poque moderne. Elle a co-coordonn\u00e9 deux projets de recherche sur l\u2019histoire des p\u00e9riodiques\u00a0: \u00ab\u00a0Les journaux savants dans l\u2019Europe moderne. Communication et construction des savoirs\u00a0\u00bb (<\/span>Archives internationales d\u2019histoire des sciences<\/span><\/i>, vol. 63, n\u00b0 170-171, 2013) et \u00ab\u00a0Circulation des math\u00e9matiques dans et par les journaux\u00a0: histoire, territoires et publics\u00a0\u00bb (<\/span>Cirmath<\/span>) dont les r\u00e9sultats sont en cours de publication.\u00a0<\/span><\/p>

Pour plus de d\u00e9tails, voir le site\u00a0: <\/span>https:\/\/cak.ehess.fr\/membres\/jeanne-peiffer<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Jeanne Peiffer is a Senior Research Scientist at the CNRS, affiliated to the Alexandre Koyr\u00e9 Center. History of Science and Technology, Paris. As a historian of mathematics, she has worked on correspondence networks in the modern era. She has co-coordinated two research projects on the history of periodicals: “Les journaux savants dans l’Europe moderne. Communication et construction des savoirs” (<\/span>Archives internationales d’histoire des sciences<\/span><\/i>, vol. 63, n\u00b0 170-171, 2013) and “Circulation des math\u00e9matiques dans et par les journaux: histoire, territoires et publics” (CIRMATH), the results of which are currently being published.\u00a0<\/span><\/p>

For further details, visit: <\/span>https:\/\/cak.ehess.fr\/membres\/jeanne-peiffer<\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"GILBERTO\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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E-mail:\u00a0<\/b>pizzamig@unive.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gilberto Pizzamiglio \u00e8 stato professore ordinario di Letteratura italiana nell\u2019Universit\u00e0 di Venezia Ca\u2019 Foscari. \u00c8 direttore della rivista\u00a0\u201dStudi goldoniani\u201d, condirettore di\u00a0\u201dLettere Italiane\u201d\u00a0e direttore responsabile della Collana di Classici\u00a0\u201dEsperia\u201d\u00a0(Marsilio Editore). Coordina le attivit\u00e0 editoriali e il Centro Internazionale di Studi della Civilt\u00e0 italiana\u00a0Vittore Branca<\/i>\u00a0della Fondazione Giorgio Cini di Venezia. Accademico ordinario dell\u2019Istituto Veneto di Scienze, Lettere ed Arti, dell\u2019Ateneo Veneto e dell\u2019Accademia Virgiliana di Mantova, i suoi interessi scientifici si sono rivolti in prevalenza al Settecento e alla prima met\u00e0 dell\u2019Ottocento, con particolare riguardo alla letteratura veneta.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gilberto Pizzamiglio \u00e9tait professeur de litt\u00e9rature italienne \u00e0 l’universit\u00e9 Ca’ Foscari de Venise. Il est \u00e9diteur de la revue “Studi Goldoniani”, codirecteur de “Lettere Italiane” et r\u00e9dacteur en chef de la collection Classici “Esperia” (Marsilio Editore). Il coordonne les activit\u00e9s \u00e9ditoriales et le Centre international Vittore Branca<\/i> pour l’\u00e9tude de la civilisation italienne \u00e0 la Fondation Giorgio Cini \u00e0 Venise. Universitaire titulaire \u00e0 l’Istituto Veneto di Scienze<\/i>, Lettere ed Arti<\/i>, \u00e0 l’Ateneo Veneto <\/i>et \u00e0 l’Accademia Virgiliana <\/i>de Mantoue, ses int\u00e9r\u00eats scientifiques ont principalement port\u00e9 sur le XVIIIe et la premi\u00e8re moiti\u00e9 du XIXe si\u00e8cle, avec un accent particulier sur la litt\u00e9rature v\u00e9nitienne.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gilberto Pizzamiglio was professor of Italian Literature at Ca’ Foscari University of Venice. He is editor of the journal \u201cStudi Goldoniani\u201d, co-director of \u201cLettere Italiane\u201d and editor-in-chief of the Classici \u201cEsperia\u201d series (Marsilio Editore). He coordinates editorial activities and the Vittore Branca<\/i> International Centre for the Study of Italian Civilisation at the Giorgio Cini Foundation in Venice. A full academic at the Istituto Veneto di Scienze, Lettere ed Arti,<\/i> the Ateneo Veneto<\/i> and the Accademia Virgiliana <\/i>in Mantua, his scientific interests have mainly focused on the 18th and the first half of the 19th century, with a particular emphasis on Venetian literature.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"DAVID\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDAVID D. REITSAM<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>david.reitsam@gmx.de<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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David D. Reitsam ha studiato Storia e Francese per l\u2019insegnamento scolastico presso l\u2019Universit\u00e0 di Augsburg, trascorrendo un anno all\u2019Universit\u00e9 Sorbonne Nuovelle \u2013 Paris III. Successivamente ha conseguito il Dottorato di ricerca nell\u2019ambito del programma franco-tedesco\u00a0\u201dCultures europ\u00e9ennes de la communication\u201d\u00a0presso l\u2019Universit\u00e0 di Augsburg e l\u2019Universit\u00e9 de Lorraine (Nancy). I suoi principali interessi di ricerca sono il\u00a0transfer<\/i>\u00a0culturale, la storia della stampa e delle idee e la letteratura dei secoli XVII e XVIII. Reitsam \u00e8 attualmente docente DAAD presso l\u2019Universit\u00e9 Toulouse \u2013 Jean Jaur\u00e8s.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

David D. Reitsam a \u00e9tudi\u00e9 l’histoire et le fran\u00e7ais pour l’enseignement secondaire \u00e0 l’universit\u00e9 d’Augsbourg, en passant une ann\u00e9e \u00e0 l’universit\u00e9 Sorbonne Nouvelle – Paris III. Il a ensuite obtenu son doctorat dans le cadre du programme franco-allemand “Cultures europ\u00e9ennes de la communication” \u00e0 l’Universit\u00e9 d’Augsbourg et \u00e0 l’Universit\u00e9 de Lorraine (Nancy). Ses principaux int\u00e9r\u00eats de recherche sont les transferts culturels, l’histoire de l’imprimerie et des id\u00e9es, et la litt\u00e9rature des XVIIe et XVIIIe si\u00e8cles. Il est actuellement ma\u00eetre de conf\u00e9rences DAAD \u00e0 l’Universit\u00e9 Toulouse – Jean Jaur\u00e8s.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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David D. Reitsam studied History and French for School Education at the University of Augsburg, spending a year at the Universit\u00e9 Sorbonne Nuovelle – Paris III. He then obtained his PhD within the framework of the Franco-German programme \u201cCultures europ\u00e9ennes de la communication\u201d at the University of Augsburg and the Universit\u00e9 de Lorraine (Nancy). His main research interests are cultural transfer, the history of printing and ideas, and the literature of the 17th and 18th centuries. Reitsam is currently a DAAD lecturer at the Universit\u00e9 Toulouse – Jean Jaur\u00e8s.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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E-mail:\u00a0<\/b>ricorda@unive.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Ricciarda Ricorda \u00e8 Senior Researcher presso l\u2019Universit\u00e0 Ca\u2019 Foscari di Venezia, dove ha svolto la sua carriera inizialmente come borsista del Consiglio Nazionale delle Ricerche, poi come ricercatrice e infine, dal 2004 al 2019, come professoressa ordinaria di Letteratura italiana contemporanea. Si occupa di letteratura italiana dal Sette al Novecento: ha pubblicato saggi dedicati ad autori e aspetti della letteratura settecentesca (scritture femminili di viaggio, giornalismo, teatro) e del secondo Ottocento (la Scapigliatura, la rivista\u00a0Nuova Antologia<\/i>).\u00a0In area novecentesca, si \u00e8 occupata di modalit\u00e0 e aspetti della prosa a partire dal periodo compreso tra le due guerre. Le sue ricerche pi\u00f9 recenti hanno investito in particolare la letteratura di viaggio.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Ricciarda Ricorda est chercheuse principale \u00e0 l’universit\u00e9 Ca’ Foscari de Venise, o\u00f9 elle a poursuivi sa carri\u00e8re d’abord comme boursi\u00e8re du Conseil national de la recherche, puis comme chercheuse et enfin, de 2004 \u00e0 2019, comme professeur titulaire de litt\u00e9rature italienne contemporaine. Elle travaille sur la litt\u00e9rature italienne du XVIIIe au XXe si\u00e8cle : elle a publi\u00e9 des essais consacr\u00e9s \u00e0 des auteurs et \u00e0 des aspects de la litt\u00e9rature du XVIIIe si\u00e8cle (les r\u00e9cits de voyage des femmes, le journalisme, le th\u00e9\u00e2tre) et de la seconde moiti\u00e9 du XIXe si\u00e8cle (la Scapigliatura<\/em>, la revue Nuova Antologia<\/i>). Dans le domaine du XXe si\u00e8cle, elle a trait\u00e9 des modes et des aspects de la prose de l’entre-deux-guerres. Ses recherches les plus r\u00e9centes ont port\u00e9 en particulier sur la litt\u00e9rature de voyage.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Ricciarda Ricorda is a Senior Researcher at Ca’ Foscari University in Venice, where she pursued her career initially as a scholarship holder of the National Research Council, then as a researcher and finally, from 2004 to 2019, as a full professor of Contemporary Italian Literature. She deals with Italian literature from the 18th to the 20th century: she has published essays dedicated to authors and aspects of 18th-century literature (women’s travel writing, journalism, theatre) and of the second half of the 19th century (the Scapigliatura<\/i>, the magazine Nuova Antologia<\/i>). In the 20th-century area, she dealt with modes and aspects of prose from the period between the two wars. Her most recent research has focused in particular on travel literature.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"FABIO\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFABIO ROSSI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>fabio.rossi@unime.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Fabio Rossi \u00e8 professore ordinario di Linguistica italiana all\u2019Universit\u00e0 di Messina. Ha conseguito il Dottorato di ricerca in \u201cLinguistica italiana\u201d all\u2019Universit\u00e0 di Firenze. Dal 1999 al 2002 \u00e8 stato assegnista di ricerca all\u2019Universit\u00e0 di Ferrara. Fa parte del Collegio dei docenti del Dottorato di ricerca in Scienze umanistiche. Collabora con prestigiose istituzioni quali l\u2019Istituto della Enciclopedia Italiana Treccani e l\u2019Accademia Nazionale dei Lincei. I suoi ambiti di ricerca sono la lingua della musica, il parlato dei\u00a0media<\/i>, l\u2019analisi sintattica e pragmatica della lingua parlata, la didattica dell\u2019italiano L1 e L2 e le ideologie linguistiche. Dirige, con Fabio Ruggiano, la collana\u00a0\u201dItaliano di oggi\u201d\u00a0(Firenze, Cesati).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Fabio Rossi est professeur de linguistique italienne \u00e0 l’universit\u00e9 de Messine. Il est titulaire d’un doctorat en “Linguistique italienne” de l’universit\u00e9 de Florence. De 1999 \u00e0 2002, il a \u00e9t\u00e9 chercheur \u00e0 l’universit\u00e9 de Ferrare. Il est membre du corps enseignant du programme de doctorat en sciences humaines. Il collabore avec des institutions prestigieuses telles que l’Istituto della Enciclopedia Italiana Treccani <\/i>et l’Accademia Nazionale dei Lincei<\/i>. Ses domaines de recherche sont le langage de la musique, le discours des m\u00e9dias, l’analyse syntaxique et pragmatique de la langue parl\u00e9e, la didactique de l’italien L1 et L2 et les id\u00e9ologies linguistiques. Il dirige, avec Fabio Ruggiano, la collection \u201cItaliano di oggi\u201d<\/i> (Florence, Cesati).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Fabio Rossi is professor of Italian Linguistics at the University of Messina. He obtained the PhD in \u201cItalian Linguistics\u201d at the University of Florence. From 1999 to 2002 he was a Research Fellow at the University of Ferrara. He is a member of the teaching staff of the PhD programme in Humanities. He collaborates with prestigious institutions such as the Istituto della Enciclopedia Italiana Treccani <\/i>and the Accademia Nazionale dei Lincei<\/i>. His areas of research are the language of music, spoken language of the media, syntactic and pragmatic analysis of spoken language, didactics of Italian L1 and L2 and linguistic ideologies. He directs, with Fabio Ruggiano, the series \u201cItaliano di oggi\u201d (Florence, Cesati).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"FABIO\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFABIO RUGGIANO<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>fabio.ruggiano@unime.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Fabio Ruggiano si \u00e8 addottorato in \u201cStudi linguistici italiani\u201d all\u2019Universit\u00e0 di Messina nel 2008, con una tesi sull\u2019italiano scritto da studenti di scuola. Ha insegnato linguistica e glottodidattica all\u2019Universit\u00e0 Garyounis di Bengasi (Libia) e latino e italiano alla Virginia Commonwealth University (VA, USA). Dal 2016 \u00e8 ricercatore a tempo determinato del settore L-FIL-LET\/12 all\u2019Universit\u00e0 di Messina, dove insegna Glottodidattica, Linguistica italiana e Storia della Lingua italiana. Nel 2018 ha conseguito l\u2019abilitazione a professore di seconda fascia. Le sue ricerche riguardano gli usi pubblici dell\u2019italiano contemporaneo (politica, pubblicit\u00e0, social network), le ideologie linguistiche, la didattica dell\u2019italiano, l\u2019italiano del Sei e Settecento. Con Fabio Rossi \u00e8 curatore della pagina di informazione e consulenza linguistica DICO (dico.unime.it).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Fabio Ruggiano a obtenu un doctorat en “\u00c9tudes linguistiques italiennes” \u00e0 l’universit\u00e9 de Messine en 2008, avec une th\u00e8se sur l’italien \u00e9crit par les \u00e9l\u00e8ves. Il a enseign\u00e9 la linguistique et la glottodidactique \u00e0 l’Universit\u00e9 Garyounis de Benghazi (Libye) et le latin et l’italien \u00e0 la Virginia Commonwealth University (VA, USA). Depuis 2016, il est chercheur \u00e0 dur\u00e9e d\u00e9termin\u00e9e dans le domaine L-FIL-LET\/12 \u00e0 l’Universit\u00e9 de Messine, o\u00f9 il enseigne la glottodidactique, la linguistique italienne et l’histoire de la langue italienne. En 2018, il a \u00e9t\u00e9 qualifi\u00e9 de professeur de deuxi\u00e8me rang. Ses recherches portent sur les usages publics de l’italien contemporain (politique, publicit\u00e9, r\u00e9seaux sociaux), les id\u00e9ologies linguistiques, la didactique de l’italien et l’italien des XVIIe et XVIIIe si\u00e8cles. Avec Fabio Rossi, il est le r\u00e9dacteur de la page d’information et de conseil linguistique DICO (dico.unime.it).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Fabio Ruggiano obtained his PhD in \u201cItalian Linguistic Studies\u201d at the University of Messina in 2008, with a thesis on Italian written by school students. He has taught linguistics and glottodidactics at Garyounis University in Benghazi (Libya) and Latin and Italian at Virginia Commonwealth University (VA, USA). Since 2016, he has been a fixed-term Researcher in the field L-FIL-LET\/12 at the University of Messina, where he teaches Glottodidactics, Italian Linguistics and History of the Italian Language. In 2018, he qualified as a second-rank Professor. His research concerns the public uses of contemporary Italian (politics, advertising, social networks), linguistic ideologies, the didactics of Italian, and the Italian of the 17th and 18th centuries. With Fabio Rossi, he is the editor of the language information and consultancy page DICO (dico.unime.it).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"ANNA\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tANNA MARIA SALVAD\u00c8<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail: <\/b>annamaria.salvade@univr.it<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Anna Maria Salvad\u00e8 \u00e8 ricercatrice all\u2019Universit\u00e0 di Verona, dove tiene corsi di letteratura italiana per l\u2019editoria, il giornalismo, i media digitali. Dopo la laurea in lettere presso l\u2019Universit\u00e0 degli Studi di Milano, ha conseguito il Dottorato di ricerca in Italianistica a Parma. I suoi studi si rivolgono in prevalenza a questioni, correnti, autori dei secoli XVIII e XIX, con particolare attenzione ai rapporti tra scienza, letteratura, arti figurative e geografia. Tra le sue pubblicazioni, oltre a una monografia su Baldassarre Castiglione (Imitar gli antichi<\/i>), le edizioni criticamente commentate di testi di Francesco Algarotti (Poesie; Giornale del viaggio da Londra a Petersbourg<\/i>) e di Carlo Botta (Le vestigia del terrore<\/i>).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Anna Maria Salvad\u00e8 est chercheuse \u00e0 l’universit\u00e9 de V\u00e9rone, o\u00f9 elle donne des cours de litt\u00e9rature italienne pour l’\u00e9dition, le journalisme et les m\u00e9dias num\u00e9riques. Apr\u00e8s avoir obtenu une licence en litt\u00e9rature \u00e0 l’universit\u00e9 de Milan, elle a obtenu un doctorat en \u00e9tudes italiennes \u00e0 Parme. Ses \u00e9tudes portent principalement sur les questions, les courants, les auteurs des XVIIIe et XIXe si\u00e8cles, avec une attention particuli\u00e8re aux relations entre la science, la litt\u00e9rature, les arts figuratifs et la g\u00e9ographie. Elle a notamment publi\u00e9 une monographie sur Baldassarre Castiglione (Imitar gli antichi<\/i>), des \u00e9ditions annot\u00e9es de textes de Francesco Algarotti (Poesie ; Giornale del viaggio da Londra a Petersbourg<\/i>) et de Carlo Botta (Le vestigia del terrore<\/i>).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Anna Maria Salvad\u00e8 is a researcher at the University of Verona, where she teaches courses in Italian literature for publishing, journalism and digital media. After graduating in literature from the University of Milan, she obtained a PhD in Italian studies in Parma. Her studies mainly focus on issues, currents, authors of the 18th and 19th centuries, with particular attention to the relations between science, literature, figurative arts and geography. Her publications include a monograph on Baldassarre Castiglione (Imitar gli antichi<\/i>), critically annotated editions of texts by Francesco Algarotti (Poesie<\/i>; Giornale del viaggio da Londra a Petersbourg<\/i>) and Carlo Botta (Le vestigia del terrore<\/i>).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"avatar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGIUSEPPE SERGIO<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>giuseppe.sergio@unimi.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Giuseppe Sergio insegna\u00a0Linguistica italiana\u00a0e\u00a0Lingua italiana per stranieri\u00a0all\u2019Universit\u00e0 degli Studi di Milano. Si \u00e8 occupato di italiano\u00a0contemporaneo, specialmente nei suoi impieghi settoriali, cui ha dedicato vari saggi e volumi. Ha inoltre studiato il lessico della moda nell\u2019Ottocento, indagato attraverso il\u00a0Corriere delle Dame<\/i>\u00a0(Parole di moda<\/i>, 2010), e la lingua letteraria del Novecento, anche nelle sue declinazioni pi\u00f9 popolari (Liala. Dal romanzo al fotoromanzo<\/i>, 2012;\u00a0Italiani di scrittori<\/i>, 2020). Nel 2018 ha curato il IX volume dell\u2019Edizione Nazionale delle Opere di Giuseppe Parini, dedicato alla\u00a0Gazzetta di Milano<\/i>\u00a0(1769).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Giuseppe Sergio enseigne la linguistique italienne et la langue italienne pour les \u00e9trangers \u00e0 l’universit\u00e9 de Milan. Il a travaill\u00e9 sur la th\u00e9matique de l’italien contemporain, notamment dans ses usages sectoriels, auquel il a consacr\u00e9 plusieurs essais et volumes. Il a \u00e9galement \u00e9tudi\u00e9 le lexique de la mode au XIXe si\u00e8cle vu \u00e0 travers la revue Corriere delle Dame<\/i> (Parole di moda<\/i>, 2010) et le langage litt\u00e9raire du XXe si\u00e8cle, \u00e9galement dans ses d\u00e9clinaisons les plus populaires (Liala. Dal romanzo al fotoromanzo<\/i>, 2012 ; Italiani di scrittori<\/i>, 2020). En 2018, il a \u00e9dit\u00e9 le neuvi\u00e8me volume de l’\u00e9dition nationale des \u0153uvres de Giuseppe Parini, consacr\u00e9 \u00e0 la Gazzetta di Milano<\/i> (1769).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Giuseppe Sergio teaches Italian Linguistics and Italian Language for Foreigners at the University of Milan. He has dealt with contemporary Italian, especially in its sectoral uses, to which he has dedicated several essays and volumes. He has also studied the lexicon of fashion in the 19th century, investigated through the Corriere delle Dame <\/i>(Parole di moda<\/i>, 2010), and the literary language of the 20th century, also in its most popular declinations (Liala. Dal romanzo al fotoromanzo<\/i>, 2012; Italiani di scrittori<\/i>, 2020). In 2018, he edited the 9th volume of the National Edition of the Works of Giuseppe Parini, dedicated to the Gazzetta di Milano<\/i> (1769).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCORRADO VIOLA<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>corrado.viola@univr.it<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Corrado Viola insegna Letteratura italiana all\u2019Universit\u00e0 di Verona dal 2001. Ha pubblicato volumi su L.A. Muratori, la polemica Orsi-Bouhours, l\u2019epistolografia, la lessicografia, i canoni d\u2019Arcadia, Parini e vari saggi su autori del Sette-Novecento. Ha fondato e dirige il Centro di Ricerca sugli Epistolari del Settecento (C.R.E.S.). \u00c8 vicedirettore del Centro Interdipartimentale di Ricerca sull\u2019Italia nell\u2019Europa romantica (C.R.I.E.R.), membro del Comitato Scientifico della Societ\u00e0 Italiana di Studi Storici sul XVIII secolo (SISSD) e della Commissione per l\u2019Edizione Nazionale delle Opere di Giuseppe Parini, socio effettivo del Centro di Studi Muratoriani di Modena, dell\u2019Arcadia di Roma. Fa parte del Consiglio scientifico di varie riviste e collane di settore.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Corrado Viola enseigne la litt\u00e9rature italienne \u00e0 l’universit\u00e9 de V\u00e9rone depuis 2001. Il a publi\u00e9 des volumes sur L.A. Muratori, la controverse Orsi-Bouhours, l’\u00e9pistolographie, la lexicographie, les canons d’Arcadia, Parini et divers essais sur des auteurs des XVIIIe et\u00a0 XXe si\u00e8cles. Il a fond\u00e9 et dirige le Centro di Ricerca sugli Epistolari del Settecento<\/i> (C.R.E.S.). Il est vice-directeur du Centro Interdipartimentale di Ricerca sull’Italia nell’Europa romantica<\/i> (C.R.I.E.R.), membre du comit\u00e9 scientifique de la Societ\u00e0 Italiana di Studi Storici sul XVIII secolo<\/i> (SISSD) et de la commission pour l’\u00e9dition nationale des \u0153uvres de Giuseppe Parini, membre titulaire du Centro di Studi Muratoriani<\/i> de Mod\u00e8ne et de l’Arcadia de Rome. Il est membre du conseil scientifique de diverses revues et s\u00e9ries.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Corrado Viola has been teaching Italian Literature at the University of Verona since 2001. He has published volumes on L.A. Muratori, the Orsi-Bouhours controversy, epistolography, lexicography, the canons of Arcadia, Parini and various essays on 18th- and 20th-century authors. He founded and directs the Centro di Ricerca sugli Epistolari del Settecento <\/i>(C.R.E.S.). He is vice-director of the Centro Interdipartimentale di Ricerca sull’Italia nell’Europa romantica<\/i> (C.R.I.E.R.), a member of the Scientific Committee of the Societ\u00e0 Italiana di Studi Storici sul XVIII secolo<\/i> (SISSD) and of the Commission for the National Edition of the Works of Giuseppe Parini, a full member of the Centro di Studi Muratoriani <\/i>in Modena and of the Arcadia in Rome. He is a member of the Scientific Council of various journals and series in the sector.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"ROTRAUD-VON-KULESSA\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tROTRAUD VON KULESSA<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>rotraud.kulessa@philhist.uni-augsburg.de<\/span><\/a> \u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Rotraud von Kulessa ha studiato Filologia romanza e tedesca all\u2019Universit\u00e0 di Parigi X, alla FU Berlin e all\u2019Albert-Ludwigs-Universit\u00e4t di Freiburg im Breisgau. Ha conseguito il Dottorato di ricerca e l\u2019abilitazione in Filologia romanza all\u2019Albert-Ludwigs-Universit\u00e4t di Freiburg im Breisgau dopo aver effettuato dei soggiorni di ricerca in Francia e in Italia. Dal 2011 \u00e8 titolare della Cattedra di letterature romanze (francese e italiano) all\u2019Universit\u00e0 di Augsburg. Le sue ricerche si concentrano sulle scrittrici del Settecento, il\u00a0transfer\u00a0<\/i>culturale e le letterature transculturali.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Rotraud von Kulessa a \u00e9tudi\u00e9 la philologie romane et allemande \u00e0 l’Universit\u00e9 de Paris X, \u00e0 la FU Berlin et \u00e0 l’Albert-Ludwigs-Universit\u00e4t de Freiburg im Breisgau. Elle a obtenu son doctorat et son habilitation en philologie romane \u00e0 l’Albert-Ludwigs-Universit\u00e4t de Fribourg-en-Brisgau apr\u00e8s des s\u00e9jours de recherche en France et en Italie. Depuis 2011, elle est titulaire de la chaire de litt\u00e9rature romane (fran\u00e7ais et italien) \u00e0 l’Universit\u00e9 d’Augsbourg. Ses recherches portent sur les femmes \u00e9crivains du XVIIIe si\u00e8cle, les transferts culturels et les litt\u00e9ratures transculturelles.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Rotraud von Kulessa studied Romance and German Philology at the University of Paris X, FU Berlin and the Albert-Ludwigs-Universit\u00e4t in Freiburg im Breisgau. She obtained her PhD and Habilitation in \u201cRomance Philology\u201d at the Albert-Ludwigs-Universit\u00e4t in Freiburg im Breisgau after research stays in France and Italy. Since 2011, she has held the Chair in Romance Literature (French and Italian) at the University of Augsburg. Her research focuses on women writers of the 18th century, cultural transfer and transcultural literatures.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"WallnigBIld\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tTHOMAS WALLNIG<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>thomas.wallnig@univie.ac.at<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Thomas Wallnig, storico, lavora come Senior Scientist<\/i> per le Digital Humanities<\/i> presso l’Universit\u00e0 di Vienna. Ha studiato storia e italiano a Graz, Pisa, Torino e Vienna e ha ricevuto un premio START<\/i> dal FWF<\/i> nel 2007. Si \u00e8 abilitato in Storia moderna nel 2016; dal 2014 al 2018 \u00e8 stato co-leader<\/i> dell’azione COST <\/i>\u2013 Reassembling the Republic of Letters<\/i> e dal 2016 presiede la \u00d6sterreichische Gesellschaft zur Erforschung des 18. Jahrhunderts<\/i>. \u00c8 stato ospite e assegnatario di borse di studio presso le Universit\u00e0 di Wolfenb\u00fcttel, Parigi, Princeton, Stanford, Padova e Klagenfurt.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNotice biographique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Thomas Wallnig, historien, travaille comme Senior Scientist <\/i>pour les Digital Humanities<\/i> \u00e0 l’Universit\u00e9 de Vienne. Il a \u00e9tudi\u00e9 l’histoire et l’italien \u00e0 Graz, Pise, Turin et Vienne et a re\u00e7u un prix START de la FWF en 2007. Il s’est qualifi\u00e9 en histoire moderne en 2016 ; de 2014 \u00e0 2018, il a \u00e9t\u00e9 co-responsable de l’action COST – Reassembling the Republic of Letters<\/i>, et depuis 2016, il pr\u00e9side l’\u00d6sterreichische Gesellschaft zur Erforschung des 18. Jahrhunderts<\/i>. Il a \u00e9t\u00e9 invit\u00e9 et boursier des universit\u00e9s de Wolfenb\u00fcttel, Paris, Princeton, Stanford, Padoue et Klagenfurt.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Thomas Wallnig, historian, works as Senior Scientist for Digital Humanities at the University of Vienna. He studied history and Italian in Graz, Pisa, Turin and Vienna and received a START <\/i>award from the FWF <\/i>in 2007. He obtained his habilitation in Modern History in 2016; from 2014 to 2018 he was co-leader of the COST <\/i>Action – Reassembling the Republic of Letters<\/i>, and since 2016 he has chaired the \u00d6sterreichische Gesellschaft zur Erforschung des 18. Jahrhunderts<\/i>. He has been a guest and fellowship recipient at the Universities of Wolfenb\u00fcttel, Paris, Princeton, Stanford, Padua and Klagenfurt.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"ENRICO\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tENRICO ZUCCHI<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

E-mail:\u00a0<\/b>zucchi.en@gmail.com<\/span><\/a>\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNota biografica<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Enrico Zucchi \u00e8 ricercatore di tipo A presso l\u2019Universit\u00e0 degli Studi di Padova, dove si \u00e8 addottorato in \u201cScienze linguistiche, filologiche e letterarie\u201d nel 2017. Ha svolto soggiorni di ricerca presso l\u2019Universit\u00e9 Sorbonne \u2013 Paris IV e la Universiteit Leiden, ed \u00e8 stato inoltre borsista presso la Fondazione 1563 per l\u2019Arte e la Cultura di Torino. Si occupa principalmente di letteratura e critica teatrale tra Sei e Settecento, di epistolari e storia dell\u2019erudizione dall\u2019Arcadia a Tiraboschi.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Enrico Zucchi est un chercheur de type A \u00e0 l’Universit\u00e9 de Padoue, o\u00f9 il a obtenu son dipl\u00f4me en “Sciences linguistiques, philologiques et litt\u00e9raires” en 2017. Il a effectu\u00e9 des s\u00e9jours de recherche \u00e0 l’Universit\u00e9 Sorbonne – Paris IV et \u00e0 l’Universiteit Leiden, et a \u00e9galement \u00e9t\u00e9 boursier de la Fondation 1563 pour l’art et la culture \u00e0 Turin. Il travaille principalement sur la litt\u00e9rature et la critique th\u00e9\u00e2trale entre les XVIIe et XVIIIe si\u00e8cles, sur les \u0153uvres \u00e9pistolaires et l’histoire de l’\u00e9rudition, de l’Arcadie \u00e0 Tiraboschi.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tBiographical note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Enrico Zucchi is a Type A researcher at the University of Padua, where he graduated in \u201cLinguistic, Philological and Literary Sciences\u201d in 2017. He has carried out research stays at the Universit\u00e9 Sorbonne – Paris IV and the Universiteit Leiden, and was also a fellow at the 1563 Foundation for Art and Culture in Turin. He mainly works on literature and theatre criticism between the 17th and 18th centuries, on epistolary works and the history of erudition from Arcadia to Tiraboschi.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Coordinamento scientifico SABINE SCHWARZE E-mail:\u00a0sabine.schwarze@philhist.uni-augsburg.de Nota biografica Sabine Schwarze ha studiato Filologia e Didattica della lingua francese e russa all\u2019Universit\u00e0 Martin-Luther di Halle-Wittenberg e all\u2019Universit\u00e0 di Vorone\u017e (Russia). Ha conseguito il Dottorato di ricerca e l\u2019abilitazione in Filologia romanza all\u2019Universit\u00e0 di Halle, dopo aver effettuato dei soggiorni di ricerca in Francia e in Italia. Dal […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1283,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-648","page","type-page","status-publish","hentry"],"yoast_head":"\nMembers- R_NHEP<\/title>\n<meta name=\"description\" content=\"Tutti i componenti del gruppo di ricerca. 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